Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
Thomas Ken was an English poet and clergyman and had considerable
musical talent. He was a man unafraid to declare his convictions. He
once refused to read, at the king’s command, a certain document to his
parishioners, and was imprisoned for his defiance. He finally lost his
bishopric because he refused to swear allegiance to Mary and William of
Orange when they became rulers of England. Ken was known for his saintly
character, his great ability and eloquence as a preacher, and his
pioneering in the art of hymn writing.
That all hymns must be written in the third person, as is sometimes
asserted, is disproved by this great hymn in its use of “I” and “my.”
_MUSIC._ For comments on Francois H. Barthélémon, composer of the tune,
MORNING HYMN, see Hymn 2.
26. Christ, whose glory fills the skies _Charles Wesley_, 1707-88
One of the greatest morning hymns in the English language, based on Mal.
4:2: “But unto you that fear my name shall the sun of righteousness
arise with healing in his wings.” James Montgomery called it “one of
Charles Wesley’s loveliest progeny.” It pictures Christ as the true
Light and the Sun of Righteousness triumphing over the darkness of sin
and grief.
Charles Wesley was the second youngest in a family of nineteen children
and became the “sweet singer of Methodism.” He and Isaac Watts were the
most important hymnists of the 18th century in England.
For further comments on Wesley see Hymn 6.
_MUSIC._ LUX PRIMA is by the French composer, Charles F. Gounod,
1818-93, a musician of a deeply religious nature. Gounod had taken two
years of theology with the expectation of becoming ordained, but later
decided that his greatest contribution to religion would be through
music. His outstanding religious work is the oratorio, _The Redemption_.
While composing it, he used to spend hours in Notre Dame Cathedral in
prayer and meditation. LUX PRIMA is a stirring tune, building up to a
climax at “Day-star,” and is widely used as a processional.
27. Come, my soul, thou must be waking _F. R. von Canitz_, 1654-99
_Tr. H. J. Buckoll_, 1803-71
From a book of German lyrics, translated by H. J. Buckoll. The original
poem of 13 stanzas begins with the words, “_Seele, du muszt munter
werden_.” The hymn, expressing the glories of a new day, is especially
suitable for use in schools and colleges. It is a translation of stanzas
1, 6, 8, 10, and 11 of the original:
Seele, du musst munter werden!
Denn der Erden
Blickt hervor ein neuer Tag.
Komm, dem Schöpfer dieser Strahlen
Zu bezahlen,
Was dein schwacher Trieb vermag.
Bitte, dass er dir Gedeihen
Mag verleihen,
Wenn du auf was Gutes zielst;
Aber dass er dich mag stören
Und bekehren
Wenn du böse Regung fühlst.
Denk, dass er auf deinen Wegen
Ist zugegen,
Und erkennet, was du tust;
Dass er auch verborgne Flecken
Kann entdecken,
Und die tiefste Sündenlust.
Public-domain text, read in full here on John Shaqi.
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