Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
_MUSIC._ VESPERS is by the Russian composer Dimitri Stephanovitch
Bortniansky who was born at Gloukoff, in the Ukraine, 1752, and died at
St. Petersburg, 1825. He studied music at Moscow, St. Petersburg, and
Venice, Italy, the Empress Catherine of Russia supplying the necessary
funds. (It was this Empress Catherine who extended an invitation in 1786
to Prussian Mennonites to settle in South Russia, promising religious
toleration, military exemption, and other special privileges.)
Bortniansky became Director of the Imperial Kapelle, the Empress’ Church
Choir. He was a distinguished composer of sacred music and has had a
great and lasting influence on Russian church music. From his pen came
the well-known chorale tune, “_Ich bete an die Macht der Liebe_” (No.
517).
The word “Jubilate” means “to shout for joy.” It comes from the same
Latin root as “jubilee” and “jubilant.” Its English pronunciation in
singing is Jōo-bĭ-lä-tĭ. If you prefer the Latin, sing it
Yōo-bā-lä-tĭ.
29. Now the day is over _Sabine Baring-Gould_, 1834-1924
Based on Proverbs 3:24:
“When thou liest down, thou shalt not be afraid;
Yea, thou shalt lie down, and thy sleep shall be sweet.”
The hymn was written for children, but is suitable for worshippers of
all ages.
Sabine Baring-Gould was educated at Cambridge and became a clergyman of
the Church of England. He was a man of great industry and versatility,
and possessed a wide range of interests. He wrote books on travel,
biography, history, and is the author of several novels. He also edited
several collections of folk songs. Baring-Gould is the author of “Onward
Christian soldiers,” another hymn written for children, which has
received a much wider use than originally intended.
_MUSIC._ MERRIAL is a favorite tune for choir use in evening services.
The average congregation can learn to sing it without difficulty, and
when sung slowly and thoughtfully, it constitutes a deeply moving
evening prayer.
For comments on the composer, Joseph Barnby, see Hymn 21.
30. Sun of my soul, Thou Savior dear _John Keble_, 1792-1866
Another evening hymn, widely used, and destined to live as long as
English hymns are sung. It is taken from the author’s _Christian Year_,
a book of devotional poetry which sold 305,500 copies in forty-six
years. The original poem of fourteen stanzas, composed November 25,
1820, appeared with the title, “’Tis Gone, that Bright and Orbèd Blaze,”
and was headed with the text, “Abide with us” (Luke 24:29). The hymn
represents a lone traveller pressing on his way after the sun has set,
but trusting in Christ, the “Sun of the soul,” for guidance and
protection, and lifting a prayer for the sick and poor and the helpless.
Tennyson, too, likened Christ to the sun. Asked what Christ meant to him
he paused beside a flower in the garden and answered: “What the sun is
to that flower, Jesus Christ is to my soul. He is the Sun of my soul.”
Public-domain text, read in full here on John Shaqi.
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