Handbook to the Mennonite HymnaryHostetler, Lester
Religion
Handbook to the Mennonite Hymnary
Hostetler, Lester
Hymns, English -- History and criticism; Mennonites -- Hymns -- History and criticism
The ancient Eastern Church developed a rich hymnody, rising steadily in
the fourth century until it reached its culmination in the eighth and
ninth centuries. Since it employed the Greek and Syriac languages, its
hymnic treasures remained almost completely hidden and unknown to the
English speaking churches for many centuries. It is only in recent
years, through the efforts of scholars like John Mason Neale and Edward
Caswall that some of the Eastern hymns have been translated and made
available for modern use. Eastern hymns are characterized by an
objective, dignified, contemplation of God. Except when confessing sin
and unworthiness, they contain nothing of the subjective feelings of the
worshipper such as is found in many modern hymns. Though there is very
little in the _Hymnary_ from the Eastern Church, our collection is
enriched by the inclusion of a small number of hymns from this source.
Greek Hymns in the Hymnary
Clement of Alexandria, 170-220, “Shepherd of tender youth” (398)
Candle Lighting Hymn, “O gladsome light” (34)
Synesius, c. 375-430, “Lord Jesus, think on me” (196)
St. Germanus, 634-734, “A great and mighty wonder” (526)
St. John of Damascus, 8th century, “The day of resurrection” (115)
“Come, ye faithful, raise the strain” (113)
St. Stephen the Sabaite, 725-94, “Art thou weary, heavy-laden” (143)
Candle Lighting Hymn, “Darkening night, the land doth” (32)
4. Hymns of the Western Church: Latin.
Two great names are associated with the music of the Western Church:
Ambrose, c. 340-97, known as the “Father of Hymnody in the Western
Church;” and Gregory the Great, 540-604, the missionary-minded pope, and
reformer of church music.
Ambrose, Bishop of Milan, not only composed hymns and music but
stimulated others to do the same. Under his leadership there developed a
large body of church music based upon four scales, which came to be
known as Ambrosian Chant. Although widely known as a scholar,
theologian, and preacher, Ambrose’s most lasting influence was upon the
music of the church. None of his hymns are found in our collection.
Public-domain text, read in full here on John Shaqi.
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