Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
Don’t you remember! That was one of our first talks. We wanted to be
comrades, nothing more. Oh, how nice that was … at my sister’s ball in
January, during the quadrille… For heaven’s sake, I should have gone
long ago… My sister expects me—what shall I tell her… Good-by, Alfred—
YOUNG MAN
Emma!—You will leave me in this way!
YOUNG WIFE
Yes—so!—
YOUNG MAN
Five minutes more…
YOUNG WIFE
All right. Five minutes more. But you must promise me … not to move?…
Yes?… I want to give you a good-by kiss… Psst … be still … don’t move,
I told you, otherwise I’ll get up at once, you, my sweetheart, sweet…
YOUNG MAN
Emma … my ador… …
* * * * *
YOUNG WIFE
My Alfred!
YOUNG MAN
Oh, it is heaven to be with you.
YOUNG WIFE
But now I’ve really got to go.
YOUNG MAN
Oh, let your sister wait.
YOUNG WIFE
I must go home. It is much too late to see my sister. How late is it?
YOUNG MAN
How should I know?
YOUNG WIFE
You might look at your watch.
YOUNG MAN
My watch is in my waistcoat.
YOUNG WIFE
Get it.
YOUNG MAN
(_Gets up with a jump_) Eight o’clock.
YOUNG WIFE
(_Jumps up quickly_) For heaven’s sake… Quick, Alfred, give me my
stockings. What shall I say? They must be waiting for me at home …
eight o’clock…
YOUNG MAN
When shall I see you again?
YOUNG WIFE
Never.
YOUNG MAN
Emma! Don’t you love me any more?
YOUNG WIFE
Just for that reason. Give me my shoes.
YOUNG MAN
Never again? Here are your shoes.
YOUNG WIFE
My button-hook is in my bag. Please, be quick…
YOUNG MAN
Here is the button-hook.
YOUNG WIFE
Alfred, this may cost us our lives.
YOUNG MAN
(_Unpleasantly moved_) In what way?
YOUNG WIFE
What shall I say, if he asks me where I’ve been?
YOUNG MAN
At your sister’s.
YOUNG WIFE
Oh, if I only could lie.
YOUNG MAN
Well, you’ll have to.
YOUNG WIFE
Everything for a man like you. Oh, come here … let me give you a last
kiss. (_She embraces him_)—And now—leave me by myself, go in the other
room.—I can’t dress, if you are around.
YOUNG MAN
(_Goes into the drawing-room, where he dresses. He eats some pastry and
drinks a glass of cognac_)
YOUNG WIFE
(_Calls after a while_) Alfred!
YOUNG MAN
Yes, sweetheart.
YOUNG WIFE
Isn’t it better that we didn’t weep?
YOUNG MAN
(_Smiling, not without pride_) How can you talk so frivolously?—
YOUNG WIFE
Oh, how difficult it will be now—if we should meet by chance in company?
YOUNG MAN
By chance?—sometime?… Surely you are coming to Lobheimer’s to-morrow?
YOUNG WIFE
Yes. You too?
YOUNG MAN
Of course. May I ask for the cotillion?
YOUNG WIFE
Oh, I shall not go. What do you imagine?—I would… (_She enters the
drawing-room fully dressed, and takes a piece of chocolate pastry_)
sink through the floor.
YOUNG MAN
To-morrow at Lobheimer’s. That’s fine.
YOUNG WIFE
No, no… I shall decline … certainly decline—
YOUNG MAN
Well, the day after to-morrow … here.
YOUNG WIFE
The idea!
YOUNG MAN
At six…
YOUNG WIFE
Public-domain text, read in full here on John Shaqi.
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