Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
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Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
If I must tell the truth—yes.
HUSBAND
I am glad that you are honest with me at least.
MISS
But it wasn’t—no it wasn’t the way you imagine. I was in a private
dining-room with a friend and her fiancé, once during the carnival.
HUSBAND
It wouldn’t have been anything tragic, if you had ever gone—with your
sweetheart—
MISS
Of course, it wouldn’t have been anything serious. But I haven’t any
sweetheart.
HUSBAND
Oh, come now.
MISS
I swear, I haven’t.
HUSBAND
But you don’t expect to make me believe that I…
MISS
Make you believe what?… I haven’t any—at least, haven’t had for six
months.
HUSBAND
I see… But before then? Who was he?
MISS
Why are you so curious?
HUSBAND
I am curious because I love you.
MISS
Really?
HUSBAND
Of course! You should have noticed that. Tell me about him.
(_Presses her tightly to him_)
MISS
What do you want me to tell?
HUSBAND
Don’t keep me in suspense so long. Who was he, that’s what I want to
know.
MISS
(_Laughing_) Just a man.
HUSBAND
Well—well—who?
MISS
He looked something like you.
HUSBAND
No!
MISS
If you hadn’t looked so much like him—
HUSBAND
Well, what then?
MISS
Now, don’t ask, don’t you see that…
HUSBAND
(_Understanding_) That’s why you let me speak to you.
MISS
Yes, that’s it.
HUSBAND
I really don’t know whether I ought to be pleased or angry.
MISS
If I were you, I’d be pleased.
HUSBAND
All right.
MISS
You also remind me of him the way you speak … and the way you look at
one…
HUSBAND
What was he?
MISS
And then, the eyes—
HUSBAND
What was his name?
MISS
Please don’t look at me that way; please don’t.
HUSBAND
(_Embraces her. A long, burning kiss_)
MISS
(_Trembles, and tries to get up_)
HUSBAND
Why do you want to leave me?
MISS
It’s time to go home.
HUSBAND
Later.
MISS
No, I really have to get home. What do you think mother will say.
HUSBAND
You live with your mother?
MISS
Of course, I live with my mother. What did you imagine?
HUSBAND
So—with your mother. Do you live alone with her?
MISS
Oh, yes, alone! There are five of us! Two boys and two more girls.
HUSBAND
Don’t sit so far away from me. Are you the oldest?
MISS
No, I’m the second. First comes Kitty. She’s working in a flower store.
Then come I.
HUSBAND
Where do you work?
MISS
I stay at home.
HUSBAND
Always?
MISS
One of us has to stay home.
HUSBAND
Of course,—and what do you tell your mother, when you—come home so late?
MISS
That happens so seldom.
HUSBAND
Well, to-day, for example. Your mother will ask you, won’t she?
MISS
Of course, she’ll ask. It doesn’t matter how careful I am when I come
home, she always wakes up.
HUSBAND
And what do you tell her?
MISS
Oh—that I’ve been to the theater.
HUSBAND
Does she believe that?
MISS
Why shouldn’t she believe it? I often go to the theater. I saw an opera
on Sunday with my friend and her fiancé, and my oldest brother.
HUSBAND
Where did you get the tickets?
MISS
My brother is a hairdresser.
HUSBAND
Public-domain text, read in full here on John Shaqi.
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