Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
(_Hurt_) There are women who might say … like a poet.
ACTRESS
Oh, well, but do go now. But don’t start to flirt with the waitress.—
POET
(_Goes_)
ACTRESS
(_Undresses. She hears the POET going down the wooden stairway, and,
then hears his footsteps below her window. As soon as she is undressed,
she goes to the window and looks down to where he stands waiting. She
calls to him in a whisper_) Come!
POET
(_Comes quickly upstairs and runs toward her. She in the meantime has
gone to bed, and extinguished the light. He locks the door_)
ACTRESS
So, now you may sit down beside me, and tell me a story.
POET
(_Sits down on the bed beside her_) Hadn’t I better close the window?
Isn’t it too cold for you?
ACTRESS
Oh, no!
POET
Now, what shall I tell you?
ACTRESS
Tell me to whom you are unfaithful at this moment?
POET
I’m sorry, I’m not unfaithful yet.
ACTRESS
Well, if it’s any satisfaction to you, I am unfaithful to some one too.
POET
So I can imagine.
ACTRESS
And who do you suppose it is?
POET
But, child, how do you expect me to know?
ACTRESS
Guess, then.
POET
Wait … your manager.
ACTRESS
My dear man, I’m not a chorus-girl.
POET
Well, I am only guessing.
ACTRESS
Guess again.
POET
Then it’s your leading-man … Benno—
ACTRESS
Nonsense! He doesn’t care for women at all … didn’t you know that? He
carries on with his postman!
POET
No, really!—
ACTRESS
Now come, kiss me.
POET
(_Embraces her_)
ACTRESS
But what are you doing?
POET
Why do you torment me so?
ACTRESS
Listen, Robert, I have a suggestion to make to you. Come lie down in
bed with me.
POET
I accept.
ACTRESS
Come quickly, come quickly!
POET
Yes … if I had had my way, I would have been there long ago… Listen…
ACTRESS
What?
POET
The crickets are chirping outside.
ACTRESS
You are crazy, child, there are no crickets here.
POET
But surely you hear them.
ACTRESS
Hurry up.
POET
(_Beside her_) Here I am.
ACTRESS
Now lie quite still… Sh … don’t move…
POET
Yes, but why?
ACTRESS
You would rather like to have an affair with me?
POET
I should think that’s obvious by now.
ACTRESS
There are many who would like that…
POET
But it would seem that at the moment the odds are on my side…
ACTRESS
Then, come, my cricket! I shall call you “cricket” from now on.
POET
All right…
ACTRESS
Now, tell me, whom am I deceiving?
POET
Whom?… Perhaps me…
ACTRESS
Child, you have softening of the brain.
POET
Or some one … some one whom you have never seen … some one, whom you
don’t even know, some one—who is predestined for you and whom you will
never find…
ACTRESS
Please don’t talk such magnificent nonsense.
POET
… Isn’t it strange … you too—and yet one could think.—But no, it would
destroy the best in you, if one should … come, come—come.—
* * * * *
ACTRESS
That’s better than acting in idiotic plays… Don’t you think so?
POET
Public-domain text, read in full here on John Shaqi.
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