Hands Around [Reigen]: A Cycle of Ten Dialogues — John Shaqi
Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
Science
Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
Well, what are we waiting for? Anyhow, I must be back at the barracks
by ten.
GIRL
Been in service long?
SOLDIER
What business is that of yours? Is it far?
GIRL
Ten minutes’ walk.
SOLDIER
That’s too far for me. Give me a kiss.
GIRL
(_Kissing him_) I like that best anyway—when I love some one.
SOLDIER
I don’t. No, I can’t go with you. It’s too far.
GIRL
Say, come to-morrow afternoon.
SOLDIER
Sure. Give me your address.
GIRL
But maybe you won’t come.
SOLDIER
If I promise!
GIRL
Look here—if my place is too far to-night—there … there…
(_She points toward the Danube_)
SOLDIER
What’s there?
GIRL
It’s nice and quiet there, too … no one is around.
SOLDIER
Oh, that’s not the real thing.
GIRL
It’s always the real thing with me. Come, stay with me now. Who knows,
if we’ll be alive to-morrow.
SOLDIER
Come along then—but quick.
GIRL
Be careful! It’s dark here. If you slip, you’ll fall in the river.
SOLDIER
Would be the best thing, perhaps.
GIRL
Sh-h. Wait a minute. We’ll come to a bench soon.
SOLDIER
You seem to know this place pretty well.
GIRL
I’d like to have you for a sweetheart.
SOLDIER
I’d fight too much.
GIRL
I’d cure you of that soon enough.
SOLDIER
Humph—
GIRL
Don’t make so much noise. Sometimes a guard stumbles down here. Would
you believe we are in the middle of Vienna?
SOLDIER
Come here. Come over here.
GIRL
You are crazy! If we slipped here, we’d fall into the river.
SOLDIER
(_Has grabbed her_) Oh you—
GIRL
Hold tight to me.
SOLDIER
Don’t be afraid…
* * * * *
GIRL
It would have been nicer on the bench.
SOLDIER
Here or there, it doesn’t matter to me… Well, pick yourself up.
GIRL
What’s your hurry—?
SOLDIER
I must get to the barracks. I’ll be late anyhow.
GIRL
Say, what’s your name?
SOLDIER
What’s that to you?
GIRL
My name is Leocadia.
SOLDIER
Humph! I never heard such a name before.
GIRL
Listen!
SOLDIER
Well, what do you want?
GIRL
Give me just a dime for the janitor.
SOLDIER
Humph!… Do you think I’m your meal-ticket? Good-by, Leocadia…
GIRL
Tightwad! Pimp!
(_He disappears_)
THE SOLDIER AND THE PARLOR-MAID
_Prater Gardens. Sunday Evening. A road which leads from the
Wurstelprater[1] into dark tree arcades. Confused music from the
Wurstelprater can still be heard; also strains from the cheap
dancehall, a vulgar polka, played by a brass band. THE SOLDIER.
THE PARLOR-MAID._
MAID
Now tell me why you wanted to leave.
SOLDIER
(_Grins sheepishly_)
MAID
It was so beautiful and I so love to dance.
SOLDIER
(_Puts his arm around her waist_)
MAID
(_Submitting_) But we aren’t dancing now. Why do you hold me so tight?
SOLDIER
What’s your name? Katy?
MAID
You’ve always got a “Katy” on your mind.
SOLDIER
I know—I know … Marie.
MAID
Goodness, it’s dark here. I’m afraid.
SOLDIER
You needn’t be afraid when I’m with you. I can take care of myself!
MAID
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account