After tea Pani d'Yves began to play solitaire; my father fell into
perfect humor, for he commenced to tell of old times, which with him was
always a sign of good feeling.
"I remember," said he, "we halted once not far from a village in
Krasnostav. The night was dark; even strain your eyes out, you could not
see anything" (here he drew smoke from his pipe and let it go above the
light). "People were as tired as a Jew's nag. We were standing silently,
and then--"
Here began a narrative of wonderful and most wonderful happenings. The
priest, who had listened to this more than once, still stopped smoking
and listened more attentively; he raised his spectacles to his forehead,
and, nodding, repeated "Uhum! Uhum!" or called out, "Jesus, Mary! well,
and what?"
Selim and I, leaning against each other, with eyes fixed on my father,
caught his words eagerly. On no face was the expression depicted so
definitely as on Selim's. His eyes were gleaming like coals; a flush
covered his face; his hot Eastern nature came to the surface like oil.
Hardly could he sit in one place. Pani d'Yves smiled as she looked at
him, and showed him to Hania with her eyes; then both began to observe
him, for they were entertained by that face, which was like a mirror or
the surface of water, in which everything is reflected that comes near
its transparency.
To-day, when I recall evenings like that, I cannot resist my emotion.
Many waves on the water, many clouds in the sky, have passed since that
time; but still winged memory pushes before my eyes continually similar
pictures of the village mansion, the summer night, and that family,
harmonious, loving, happy,--a gray veteran telling former adventures of
his life; youths with fire in their eyes; farther on a face like a field
flower--Ei! Many waves on the water and clouds in the sky have passed
since that time.
Meanwhile the clock struck ten. Selim sprang up, for he had received the
command to return that same night. The whole company decided to go with
him as far as the cross at the end of the lindens near the second gate,
I on horseback farther, as far as the meadows. We started then, all of
us except Kazio, who had fallen asleep in the best fashion.
Hania, Selim, and I pushed on ahead, we two leading our horses by the
bridles, Hania between us. The three old people walked behind. It was
dark in the alley; the moon, merely breaking through the dense foliage,
marked the dark road with silver spots.
"Let us sing something," said Selim, "some song, old and good; for
example, the song about Filon."
"No one sings that," answered Hania. "I know another: 'Oh, autumn,
autumn, the leaf is withering on the tree!'"
We agreed at last to begin with "Filon," which the priest and my father
liked much, for it reminded them of old times, and then sing "Oh,
autumn, autumn!" Hania placed her white hand on the mane of Selim's
horse and began to sing,--
Public-domain text, read in full here on John Shaqi.
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