Egypt -- History -- To 332 B.C. -- Fiction; Historical fiction
“Welcome, thrice welcome, Ramses! Let the praises of thy lord expand
thy heart! Mei has recounted the story of thy skill and energy in the
conducting of this most bitterly fought campaign. Where now are the
chieftains of Nubia? They have been ground down as the seed of the date
beneath the crusher, as eye-paint upon the palette. Yea, they have become
as grain which the mill has crushed! Now are the chieftains of Wawat
forced to sulk in the caves of the hyena. As a fly hast thou worried
them, as a lion hast thou destroyed them! We place these precious
orders about thy throat. From this day thy renown is fragrant as the
perfume of the Incense Country. Arise! Take thy place beside us as
‘Fan-bearer-on-the-right-of-Pharaoh, thy Lord!’”
At his elevation to this coveted position, renewed applause seemed to
shake the painted roof.
Friends pressed forward to kiss the jeweled chains and ornaments that had
but now left the hand of the god-king. Some hurled themselves prostrate
before these rewards which only Pharaohs might bestow.
The King shot a covert glance in the direction of the Balcony reserved
for the royal harem. The Queen-Mother shook her jeweled _menat_ in
company with the other ladies. Yet, in Thi’s case, the action represented
far more than mere applause or acclamation.
The tactful Belur, Prince of the Hittites, in turn, rose and added a
few well chosen words of praise for a difficult task so promptly and
bloodlessly accomplished.
Pharaoh, watching him from beneath his richly painted canopy, doubted
the sincerity of the smile that played about the handsome lips of
the Hittite. Again he resolved in his mind the probable cause of the
Hittite’s inopportune visit.
A space was cleared in the center of the hall. The tables, still groaning
under the burden of their barely glanced at dainties, disappeared as
if by magic. The well-woven mats and glossy panther-skins were lifted
from the stucco floor, and out upon the space so made sprang a troupe of
lotus-wreathed girls, naked save for the beaded cincture of maidenhood
which encircled their slender hips.
Scattering Syrian crocuses and the pure white petals of the lotus, these
coffee-colored little maids, the very embodiment of childish grace,
pelted one another with the perfumed shower until their little ankles
were well-nigh hidden.
As if this had been a signal, the bright blue warbonnet of Pharaoh was
lifted from his head; an Asiatic slave-boy bathed the royal fingers
and Pharaoh, with a nervous twitch to his long, thin features, leaned
back wearily against the embroidered cushions placed at his back by the
attentive Dedu.
The last scene of what had proved a veritable feast of marvels was about
to commence.
The sudden entrance of the merry little children had been the prelude to
“the King’s dance.”
This dance was a far different performance from that series of posturing
and tumbling commonly provided by the acrobats of old.
Public-domain text, read in full here on John Shaqi.
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