Egypt -- History -- To 332 B.C. -- Fiction; Historical fiction
Into this every muscle of her supple body was forced to move in unison or
singly as she willed. Her lustrous eyes gleamed beneath their darkened
eyebrows, her expanded nostrils quivered, her full vermilioned lips were
parted, the very veins in her forehead throbbed in measure with the
refrain. As her supple arms, wrists, and hands played about her body
with a wavelike—an indescribable motion—her jeweled bust and firm, yet
flexible hips, swayed to the spasmodic movements natural to the dance.
The music ever increased in volume and, as if to add contrast to the
grace and beauty of the peerless dancer, a hideous naked pigmy, beating
a tiny onoga-skin drum, leaped out upon the floor beside her, and
grotesquely imitated her every move and gesture.
Thus, to a chorus of wild staccato yells from Tutīya and the excited
time-beaters, Nōfert-āri, her form seeming to undulate in fierce
spasmodic waves from breast to hip, with arms thrown high above her
head, fingers clenched and eyes fast closed, sank slowly to the stucco
floor.
Presently, as she rose, still trembling, and while the echoes of that
clamorous applause still reverberated amid the flaring lotus-capitals, a
royal usher hurried to her side, and in the name of Pharaoh, presented
her with a blue fayence goblet of lotiform design. Inlaid in green, white
and red about the foot was an inscription revealing her euphonious and
happily—chosen name, Nōfert-āri, “She who is made of beauty.”
Following the dance, Pharaoh had retired within himself. He had assumed
an air of studied abstraction and aloofness.
Yet, Dedu remarked signs of nervousness in the twitching of the jaw. Dedu
had been born in the palace, in the self-same year as his exalted master.
Dedu might well have been called, as indeed at times he was, his master’s
“double,” his other self.
In Pharaoh’s slightly twitching hands and in the covert glances which
from time to time he directed toward the haughty leader of the Hittites,
Dedu spelled expectancy and, withal, a nameless fear.
Then it was the Hittite, not Enana the Magician, his royal master feared!
Dedu knew there had been much speculation as to the true meaning of
Belur’s sudden and quite unexpected visit to the Egyptian capital.
So far, oriental courtesy—coupled with the Egyptian’s inherent regard
for the rights of hospitality—had forbidden any outward evidences of
impatience on the part of Pharaoh or his august Mother.
And Pharaoh did well to distrust the wily Hittite. With the pause that
had followed the withdrawal of Nōfert-āri and her assistants, the Asiatic
prince rose to his feet, slowly lifting his jeweled hand to command
attention. His keen glance swept the heads of the swaying crowd which
craned its neck the better to see him and to hear his words.
The Prince of Charchemish bowed to Pharaoh. Slowly he arranged the
sash which served to hold in place his fringed robes and the little
ivory-handled dagger which rested in its folds.
Public-domain text, read in full here on John Shaqi.
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