With an elaborate head-dress. Small half-length. PORTRAIT OF AN ENGLISHMAN, AGED 30, 1534. PORTRAIT OF A LADY, AGED 28, 1534. Two small rounds on canvas; portraits of some English courtier and his wife, the man in a scarlet coat, with the letters H.R. embroidered in gold. FRANCE. _PARIS, LOUVRE._ WILLIAM WAREHAM, ARCHBISHOP OF CANTERBURY, 1527. A replica of the portrait in Lambeth Palace. SIR HENRY WYATT, 1527 OR 1528. The father of Sir Thomas Wyatt, the poet. Formerly called a portrait of Sir Thomas More. There is a replica of it in the National Gallery of Ireland. DESIDERIUS ERASMUS, 1523. Profile, turned to the left, writing. The oil-study for it is in the Basle Museum. Probably sent to England for More or Wareham, and exchanged by Charles I. with Louis XIII. for a _St. John Baptist_, by Leonardo. SIR RICHARD SOUTHWELL, 1536. A replica of the portrait in the Uffizi Gallery, but not so good. Another copy was exhibited by Mr. H. E. Chetwynd-Stapylton at South Kensington, 1866. NICHOLAS KRATZER, OF MUNICH, 1528. Henry VIII.’s Royal Astronomer. ANNE OF CLEVES, 1539. GERMANY. _BERLIN, ROYAL GALLERY._ GEORG GISZE, OF THE STEELYARD, 1532. (See illustration and p. 51.) PORTRAIT OF A YOUNG MAN, AGED 34, 1533. Said to be a member of the Trelawney family, and perhaps a brother of the young man whose portrait, dated 1532, is in Count Schönborn’s Collection, Vienna. PORTRAIT OF A MAN WITH A LONG BEARD, AGED 54. Formerly in the possession of Sir J. E. Millais, P.R.A. Painted about 1535 (?). PORTRAIT OF A YOUNG MAN, AGED 37, 1541. Probably a Dutchman, of the Vos van Steenwijk family. _BRUNSWICK GALLERY._ AMBROSIUS (OR CYRIACUS?) FALLEN, OF THE STEELYARD, 1533. Much repainted. _CARLSRUHE, KUNSTHALLE._ ST. URSULA WITH THE ARROWS. ST. GEORGE AND THE DRAGON. Two panels, evidently parts of an altar-piece, one of them dated 1522. Some critics doubt the ascription, but they may have been designed by Holbein and completed by some other painter. _DARMSTADT, OLD PALACE._ THE MEYER MADONNA, ABOUT 1526. (See illustration and p. 44.) PORTRAIT OF A YOUNG MAN, 1515. Dated and signed “H. H.” _DRESDEN GALLERY._ THOMAS GODSALVE, OF NORWICH, AND HIS SON, SIR JOHN GODSALVE, 1528. Two portraits on one panel. There is a fine drawing of Sir John in the Windsor collection. CHARLES DE SOLIER, COMTE DE MORETTE, OF PIEDMONT, ABOUT 1534. THE MEYER MADONNA. A copy, with alterations, of the Darmstadt picture. (See p. 45.) The Dresden Gallery also possesses copies of Erasmus and Henry VIII., after Holbein, and a picture, _The Death of Virginia_, said to be after some lost original. _FRANKFORT, STÄDEL INSTITUTE._ SIMON GEORGE, OF CORNWALL. _FREIBURG-IM-BREISGAU, MINSTER._ THE NATIVITY. THE ADORATION OF THE MAGI. Altar-panels, painted for Hans Oberriedt, of Basle. _HANOVER, ROYAL GALLERY._ EDWARD VI. WHEN PRINCE, 1538.