(2) THE RETURN FROM THE BABYLONIAN CAPTIVITY. _From proofs in the British Museum._ (3) THE ANGEL SHOWING ST. JOHN THE NEW JERUSALEM (Revelation xxi.). Woodcut from Adam Petri’s “New Testament,” 1523. _From a copy in the British Museum._ 71. THE MEYER MADONNA 233 _Darmstadt._ 72. (1) JAKOB MEYER. (2) DOROTHEA 236 KANNENGIESSER Studies for the Meyer Madonna. Drawings in black and coloured chalks. _Public Picture Collection, Basel._ 73. (1) MAGDALENA OFFENBURG AS VENUS (1526). 246 (2) MAGDALENA OFFENBURG AS LAÏS (1526) _Public Picture Collection, Basel._ 74. STUDY FOR THE MORE FAMILY GROUP 293 Drawing in Indian ink, with corrections and inscriptions in brown. _Public Picture Collection, Basel._ 75. THE MORE FAMILY GROUP 295 Reproduced by kind permission of Lord St. Oswald. _Nostell Priory, Wakefield._ 76. THE MORE FAMILY GROUP 301 The version formerly at Burford Priory, now in the possession of Messrs. Parkenthorpe, London. Reproduced by kind permission of Sir Hugh P. Lane. 77. CECILIA HERON, DAUGHTER OF SIR THOMAS 303 MORE Drawing in black and coloured chalks. Reproduced by gracious permission of H.M. the King. _Windsor Castle._ 78. SIR THOMAS MORE 303 Drawing in black and coloured chalks. Reproduced by gracious permission of H.M. the King. _Windsor Castle._ 79. PORTRAIT OF AN ENGLISH LADY 309 Drawing in black and red chalk and Indian ink. _Salting Bequest, British Museum._ 80. SIR HENRY GULDEFORD (1527) 317 Reproduced in colour, by gracious permission of H.M. the King. _Windsor Castle._ 81. (1) JOHN FISHER, BISHOP OF ROCHESTER 321 Drawing in black and coloured chalks. Reproduced by gracious permission of H.M. the King. _Windsor Castle._ (2) PORTRAIT OF AN UNKNOWN ENGLISH LADY, 321 POSSIBLY LADY GULDEFORD Drawing in black and coloured chalks. _Public Picture Collection, Basel._ 82. (1) UNKNOWN ENGLISHMAN. (2) UNKNOWN 321 ENGLISH LADY Drawings in black and coloured chalks.