Hans Holbein the Younger, Volume 1 (of 2) — John Shaqi
Hans Holbein the Younger, Volume 1 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 1 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
By the gracious permission of His Majesty the King, the writer has been
allowed to include among the illustrations, reproductions, in some
instances in colour, of a number of pictures and drawings by Holbein in
the royal collections; and he has to thank the Lord Chamberlain and Mr.
Lionel Cust, M.V.O., Surveyor of the King’s Pictures, for the kind
assistance they rendered him in obtaining such permission. He has also
to express his grateful acknowledgments to a number of owners and
collectors for similar permission to reproduce works by the master in
their possession, among them Her Majesty the Queen of Holland, who has
graciously allowed the inclusion of the beautiful miniature of an
Unknown Youth; the Duke of Devonshire, G.C.V.O.; Earl Spencer, G.C.V.O.;
the Earl of Radnor; Lord Leconfield; the Earl of Yarborough; Sir John
Ramsden, Bt.; Sir Hugh P. Lane; the late Mr. J. Pierpont Morgan; Major
Charles Palmer; and the Barber-Surgeons’ Company. Special thanks are due
to Lord St. Oswald for permitting the large “More Family Group” at
Nostell Priory to be photographed for the purposes of this book, and for
allowing the writer to take notes from a very interesting manuscript
containing a description of the various versions of the Family picture
compiled by his grandfather, Mr. Charles Winn. He has also to record his
great indebtedness to Mr. Ayerst H. Buttery for giving him the privilege
of reproducing the recently discovered portrait of an Unknown English
Lady, formerly in the possession of the Bodenham family at Rotherwas,
near Hereford. His thanks also are due to Senhor José de Figueiredo,
director of the National Museum of Ancient Art, Lisbon, for permission
to include the elder Holbein’s “Fountain of Life” among the
illustrations, as well as to the directors of a number of galleries and
museums, including the Public Picture Collection, Basel; the National
Gallery, British Museum, and Wallace Collection; the Kaiser Friedrich
Museum, Berlin; the Imperial Gallery, Vienna; the Louvre, Paris; the
Royal Picture Gallery, The Hague; the Metropolitan Museum of New York;
the Royal Hermitage Gallery, St. Petersburg; and the Galleries of
Dresden, Munich, Hanover, Rome, Florence, Solothurn, and elsewhere.
Public-domain text, read in full here on John Shaqi.
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