POSTSCRIPT TO CHAPTER XIV. A NEWLY-DISCOVERED 353 PORTRAIT OF AN UNKNOWN ENGLISH LADY FOOTNOTES FOR ALL CHAPTERS 359 ------------------------------------------------------------------------ ILLUSTRATIONS HANS HOLBEIN: SELF-PORTRAIT _Frontispiece_ Reproduced in colour. _Public Picture Collection, Basel._ 1. THE BAPTISM OF ST. PAUL 11 Left-hand panel of the “Basilica of St. Paul” altar-piece. By HANS HOLBEIN THE ELDER. _Museum, Augsburg._ 2. THE ST. SEBASTIAN ALTAR-PIECE 15 Central panel. By HANS HOLBEIN THE ELDER. _Alte Pinakothek, Munich._ 3. (1) ST. BARBARA. (2) ST. ELIZABETH 16 Inner sides of the wings of the “St. Sebastian” altar-piece. By HANS HOLBEIN THE ELDER. _Alte Pinakothek, Munich._ 4. THE FOUNTAIN OF LIFE 17 By HANS HOLBEIN THE ELDER. _National Museum of Ancient Art, Lisbon._ Reproduced by kind permission of the Director, Senhor José de Figueiredo. 5. STUDY FOR THE PORTRAIT OF A LADY OF 21 AUGSBURG Silver-point drawing. By HANS HOLBEIN THE ELDER. _British Museum._ 6. AMBROSIUS AND HANS HOLBEIN 25 Silver-point drawing. By HANS HOLBEIN THE ELDER (1511). _Royal Print Room, Berlin._ 7. VIRGIN AND CHILD (1514) 33 _Public Picture Collection, Basel._ 8. (1) HEAD OF THE VIRGIN MARY. (2) HEAD OF 37 ST. JOHN _Public Picture Collection, Basel._ 9. THE LAST SUPPER 40 _Public Picture Collection, Basel._ 10. THE SCOURGING OF CHRIST 41 _Public Picture Collection, Basel._ 11. HOLBEIN’S EARLIEST TITLE-PAGE 45 First used in 1515. _From a copy of More’s “Utopia” in the British Museum._ 12. MARGINAL DRAWINGS IN A COPY OF THE 48 “PRAISE OF FOLLY” (1) FOLLY LEAVING THE PULPIT. (2) PENELOPE AT HER LOOM. (3) THE POPE. (4) THE CARDINAL. (5) THE BISHOP. (6) NUNS KNEELING BEFORE AN ALTAR-PIECE. _Public Picture Collection, Basel._ 13. MARGINAL DRAWINGS IN A COPY OF THE 49 “PRAISE OF FOLLY” (1) THE BASKET OF EGGS.