Hans Holbein the Younger, Volume 1 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 1 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
MARGINAL DRAWINGS IN A COPY OF THE “PRAISE OF FOLLY”
BASEL GALLERY
]
There is a small portrait in the Grand-Ducal Museum at Darmstadt, dated
1515, at one time in the possession of the Von Schinz family of Zürich,
which represents, at half-length, a young man in scarlet dress and cap,
with long fair hair falling over the ears, the head standing out
strongly against a bright-blue background.[121] It is inscribed across
the bottom with the date between the initials H.H., and until recently
has been considered by most writers to be a work of the younger Hans,
and was reproduced as his by Herr Knackfuss. In 1904 Dr. Hes first drew
attention to its close similarity to the work of Ambrosius, and most
modern criticism is in agreement with him. It bears, in style and touch,
a far stronger likeness to the art of Ambrosius than to that of Hans,
and has much in common with the portrait of Hans Herbster in the Basel
Gallery (No. 293), painted by him in the following year,[122] which,
when it was in Lord Northbrook’s collection, was regarded as from the
brush of his brother; and still more so to the two portraits of unknown
boys, also in the Basel Gallery (Nos. 294-5). There is, indeed, a fine
drawing of the head of an unknown man by Ambrosius, belonging to the
Basel Kunstverein, which as a portrait bears so strong a likeness to the
Darmstadt picture that it might almost be regarded as a study for
it.[123] In the drawing the position is reversed, the subject being
turned to the right instead of to the left, but the dress and hair are
the same, and, judging from the technique, both are from the same hand.
The inscription on the Darmstadt portrait is possibly of a somewhat
later date than the painting, and there are faint indications of an
earlier one beneath it. When this earlier one was replaced or renewed,
the initial of the Christian name may have been changed from A. to H. In
his book Dr. Woltmann included the portrait among the works of Hans
Holbein the Elder, but modern criticism does not follow him in this.
[Sidenote: THE SCHOOLMASTER’S SIGN-BOARD]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account