All these portraits, whether by the Hornebolts or less important copyists attached to Henry’s court, are based on Holbein’s Whitehall painting. There is, however, one other representation of Henry VIII, of about the date of Holbein’s first entry into the royal service, which is of a very different character, and was not painted under the influence of the great German. This is the fine picture at Hampton Court (No. 563 (313)), generally known as “King Henry VIII with a Scroll.”[233] He is seen at half-length, with head turned slightly to the right, but eyes to the front. He has reddish hair, and a small thin beard and moustache, and his eyes are dark grey. He wears a doublet of cloth of gold, cut square across the chest, covered with strings of pearls, and slashed with rows of white puffs, above which his white frilled shirt is seen. Over this is a sable-furred cloak. His black cap has a medallion, with figures of the Virgin and Infant Christ in enamel, and a white jewelled feather. In front of him is a table or ledge with a crimson cushion, on which his right hand is placed, and a scroll of white paper, one end of which he holds between the thumb and forefinger of his left. On it is inscribed a sentence from the Gospel of St. Mark in Roman lettering: “Marci—16. Ite in Mũdvm Vniversṽ et predicate Evangelivm omni creatvræ.” The background is a rich green. It is on panel, 2 ft. 4 in. high × 1 ft. 10 in. wide. Footnote 233: Reproduced by Law, _Royal Gallery at Hampton Court_, p. 204.