Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
For the cost of this journey Hoby received £23, 6_s._ 8_d._ from the
royal purse, which is noted in the book of the King’s household expenses
for March 1538. “Item paid to Philip Hoby by the kinges commandment
certifyed by my lord privy seal lettre for his coste and expences sent
in all possible diligence for the kinge affaires in the parties of
beyonde the See. xxiij _li._ vj_s._ viij_d._”[265]
Footnote 265:
_C.L.P._, vol. xiii. pt. ii. 1280 (f. 6).
[Sidenote: PORTRAIT OF THE DUCHESS AT WINDSOR]
No doubt the portrait which so delighted the King was one of those
masterly studies in black chalk touched with colour, such as the “John
Godsalve” among the Windsor drawings, from which Holbein afterwards
painted the magnificent full-length now in the National Gallery. He
could not have done much more than this in the three hours which was the
whole time allowed him for the sitting. Sir Claude Phillips, however, is
of opinion that it must have been something more than a drawing, however
consummate—perhaps a finished sketch of the head only in oils. “It is
difficult to believe,” he says, “that a layman would express so
enthusiastic an approval of a drawing of modest dimensions, and (if it
followed the usual Windsor type) of modest aspect. Neither sketch,
however, nor drawing is known to exist.”[266]
Footnote 266:
_Daily Telegraph_, May 8, 1909.
It was suggested by the late Sir George Scharf, F.S.A., that the small
oil panel, showing the Duchess to the waist, which is practically a
replica of the upper half of the National Gallery picture, is the
original study made by Holbein in Brussels. This portrait, then unnamed,
he discovered in 1863, in a small apartment in Windsor Castle, and it
was described by him in a paper read before the Society of Antiquaries,
and published in _Archæologia_, with a good lithograph of the picture by
T. H. Maguire.[267] It is on wood, 17 in. high by 13 in. wide.
Footnote 267:
“Remarks on a Portrait of the Duchess of Milan, recently discovered at
Windsor Castle, probably painted by Holbein at Brussels in the year
1538,” _Archæologia_, 1866, vol. xl. p. 106.
Public-domain text, read in full here on John Shaqi.
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