No less than five miniatures of the King were lent to the Burlington Fine Arts Club Exhibition by the Duke of Buccleuch, two of which are attributed to Holbein. One is a reduced copy of Holbein’s portrait of Henry belonging to Earl Spencer (Case C, 6). A second[527] is inscribed “H.R. VIII. AN^O XXXV,” and appears to be the original from which the Windsor miniature, described above, was copied (Case C, 7). It was formerly in the Magniac Collection. The catalogue suggests that it is possibly the work of an illuminator of the French school. A third (Case C, 25), with a very similar inscription, is evidently a second copy of the same miniature. The fourth (Case C, 8 (D)), forms one of a series of eight in an ebony frame, which were formerly in the collection of Charles I. It is a full-face, with grey beard, and, according to the royal catalogue, was “done by Hans Holbein, given to the King by my Lord Suffolk.”[528] The companion miniatures represent Henry VII, Elizabeth of York (“copied by Hoskins after an ancient ould coloured piece”), Katherine of Aragon, Anne Boleyn (also copied by John Hoskins “after an ould colured piece”), Queen Mary (“done by Ant. More”), Edward VI, and Queen Elizabeth (“done by Old Hilliard”). The “Henry VIII” is fine, and in the Burlington catalogue is attributed to Holbein, but it is more probably another copy from “an ould coloured piece” by the master. It has considerable resemblance to the fifth miniature from Montagu House[529] (Case C, 2), also ascribed to Holbein, but not by him. Footnote 527: Reproduced in the _Burlington Fine Arts Club Catalogue_, Pl. xxxiii. Footnote 528: Reproduced by Williamson, _Hist. Portrait Miniatures_, Pl. ii. 6. Footnote 529: Reproduced in the _Burlington Fine Arts Club Catalogue_, Pl. xxxiii.