Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
suggests the name of Jehan Perréal, or Jehan de Paris, as the possible
author of some of the early portraits in miniature of the King, painted
before Holbein’s arrival in England. Perréal was over here at the time
of the marriage of Louis XII, whose official painter he was, with
Princess Mary Tudor, for the purpose of designing the new Queen’s
dresses. His visit, however, could have been but a short one, and does
not account for miniatures of the year 1526.
Footnote 524:
Both reproduced by Law, _Holbein’s Pictures at Windsor Castle_, Pl.
vii.
Footnote 525:
“Remarks on Some Portraits from Windsor Castle, Hampton Court, and
Wilton House,” _Archæologia_, vol. xxxix., 1863, p. 252.
Footnote 526:
Wornum, p. 281.
The fourth miniature of the King at Windsor is in oils on oak, 2¾ in. in
diameter, in which he is wearing a thin beard and whiskers. It is
inscribed, “HENR. 8 REX. ANGL. ÆTA. S: 57.” Its date, therefore, must
refer to the last year of the King’s reign, 1546, though there is a
mistake in the age, as he never entered his fifty-seventh year.
According to Charles I’s catalogue, it was “supposed to be done by
Holben, and given to the King by my Lord Suffolk.” In type it
corresponds very closely to the portrait of Henry in St. Bartholomew’s
Hospital, London. There is yet another miniature of the King at Windsor,
by Nicholas Hilliard, which appears to have been copied from some lost
original by Holbein or by Hornebolt. It is one of the customary
full-face versions, with beard, and is one of the four fine miniatures
which were appended to an elaborate jewel which Hilliard executed in
enamels and gold, possibly for Edward VI, representing the Battle of
Bosworth Field, which was bought by Charles I from Laurence Hilliard,
the painter’s son. The three other miniatures represent Henry VII, Jane
Seymour, evidently copied from the well-known portrait by Holbein, and
Edward VI, which recalls more than one of the portraits of the young
King usually attributed to Guillim Stretes. The one of Henry VIII is
inscribed in gold: “1536. ÆTATIS SVÆ 46.”
[Sidenote: MINIATURES OF HENRY VIII]
Public-domain text, read in full here on John Shaqi.
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