It remained for a Swedish critic, M. S. Larpent, finally to re-establish the identity of the sitter as that Count of Moretta mentioned in Wake’s letter in the seventeenth century. In a pamphlet published in Christiania in 1881, _Sur le Portrait de Morett_, he proved conclusively that the Dresden picture represents Charles de Solier, Sieur de Morette. M. Larpent drew attention to the fact that the drawing for the head was once in the possession of Richardson, the painter, and that at his sale in 1746 it was included in his catalogue as “One Holbein, sieur de Moret, one of the French hostages in England,” this, no doubt, being the traditional title which had remained with the drawing since it was in the Arundel collection. It has been suggested that Hollar’s engraving was done neither from the Dresden picture nor from the drawing, as it shows considerable differences in the dress and details, and is circular in shape, while the inscription is “Holbein pinxit” not “delineavit,” indicating that it was done from a painting and not a drawing, and thus proving that the Earl of Arundel possessed another portrait of Morette, which has disappeared. In this connection Sir Sidney Colvin draws attention to the print by Hollar of an unknown man after a painting by Holbein formerly in the Earl of Arundel’s collection, which he thinks represents Jean de Dinteville.[145] “Now, this print of Hollar’s,” he says, “is an exact companion to his other print from the ‘Mr. Morett’ in the Arundel collection. Both are small rounds, apparently taken from paintings of almost miniature size, such as Holbein is in several instances known to have made of persons who had also sat to him for full-sized portraits. I conclude that he had painted two such companion miniatures, besides his larger pictures, of the two successive French envoys, Dinteville and Morette, and that both came into the possession of the Earl of Arundel.”[146] Footnote 145: This is the print, already mentioned (see p. 44), in connection with the fine Windsor drawing to which Miss Hervey first drew attention as a possible likeness of Dinteville. Footnote 146: In a letter to _The Times_, 11th September 1890.