His eye turned to the wall, where the signs of his former grandeur hung,
and he waved his hand, as if to dismiss the witness of a grief which he
strove to conquer.
“I do not pity him; ’tis but one man the less. Nor do I pity myself;
what have I to lose? But my daughter,--my unfortunate daughter! I shall
be the victim of this infernal plot; and what is to become of her, if
her father is taken from her?”
He turned quickly to Ordener. “How did he die? Where did you see him?”
“I saw him at the Spladgest. No one knows whether he died by suicide or
by the hand of an assassin.”
“That is now all-important. If he was murdered, I know who dealt the
blow. Then all is lost. He bore proofs of the conspiracy against me.
Those proofs might have saved me and ruined them! Unhappy Ethel!”
“My lord Count,” said Ordener, bowing, “to-morrow I will tell you
whether he was murdered.”
Schumacker, without answering, cast on Ordener, as he left the room, a
look of quiet despair more terrible than the calm of death.
Ordener found himself in the prisoner’s empty antechamber, not knowing
which way to turn. Night was far advanced and the room was dark. He
opened a door at haphazard and entered a vast corridor lighted only by
the moon, which moved rapidly through pale clouds. Its misty beams fell
now and again upon the long, narrow glass windows, and painted on the
opposite wall what seemed a procession of ghosts, appearing and
disappearing simultaneously in the depths of the passage. The young man
slowly crossed himself, and walked toward a light which shone faintly at
the end of the corridor.
A door stood ajar; a young girl knelt in a Gothic oratory, at the foot
of a bare altar, reciting in low tones litanies to the Virgin,--simple
and sublime aspirations, in which the soul that rises toward the Mother
of Seven Sorrows asks nothing but her prayers.
The young girl was dressed in black crape and white gauze, as if to show
at a glance that her days had hitherto been passed in grief and
innocence. Even in this modest attitude she bore the impress of a
strange nature. Her eyes and her long hair were black (a very rare
beauty in the North); her eyes, raised to heaven, seemed kindled with
rapture rather than dimmed by meditation. She seemed a virgin from the
shores of Cyprus or the banks of the Tiber, clad in the fanciful
disguise of one of Ossian’s characters and prostrate before the wooden
cross and stone altar of Christ Jesus.
Ordener started and almost fell, for he recognized the devotee.
She was praying for her father, for the mighty who had fallen, for the
old and desolate prisoner; and she recited aloud the psalm of the
deliverance out of Egypt. She prayed for another as well, but Ordener
did not hear his name. He did not hear it, for she did not utter it; she
merely recited the canticle of the Sulamite, the bride who awaits her
bridegroom and the return of her beloved.
Public-domain text, read in full here on John Shaqi.
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