England -- Pictorial works; Watercolor painting, British
The ladies named all entered upon their profession with a due sense of
its importance. Many of them may perhaps be counted fortunate in having
commenced their careers before the newer ideas came into vogue, by
virtue of which anybody and everybody may pose as an artist, now that
it entails none of that lengthy apprenticeship which from all time has
been deemed to be a necessary preliminary to practice. Even so lately
as the date when Mrs. Allingham came upon the scene, draftsmanship
and composition were still regarded as a matter of some importance if
success was to be achieved. Nature, as represented in Art, was still
subjected to a process of selection, a selection, too, of its higher
in preference to its lower forms. The same pattern was not allowed to
serve for every tree in the landscape whatever be its growth, foliage,
or the local influences which have affected its form. A sufficient
study of the human and of animal forms to admit of their introduction,
if needful, into that landscape was not deemed superfluous. Most
important of all, beauty still held the field, and the cult of
unvarnished ugliness had not captured the rising generation.
The endeavours of women in what is termed very erroneously the higher
branch of the profession, have not as yet received the reward that
is their due. Placed at the Royal Academy under practically the same
conditions as the male sex whilst under tuition, both as regards
fortune and success, their pictures, when they mount from the Schools
in the basement to the Exhibition Galleries on the first floor of
Burlington House, carry with them no further possibility of reward,
even although, as they have done, they hold the pride of place there.
It is true that as each election to the Academic body comes round
rumours arise as to the chances of one or other of the fair sex
forcing an entrance through the doors that, with the two exceptions
we have named, have been barred to them since the foundation of the
Institution. The day, however, when their talent in oil painting, or
any other art medium, will be recognised by Academic honours has yet to
come.
To their honour be it said, the undoubted capacities of ladies have not
passed unrecognised by water-colour painters. Both the Royal Society
and the Royal Institute of Painters in Water Colours have enrolled
amongst their ranks the names of women who have been worthy exponents
of the Art.
Public-domain text, read in full here on John Shaqi.
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