England -- Pictorial works; Watercolor painting, British
The popularity of a poet can hardly be gauged by the number of
visitors to the haunts wherein he passed his day. Rather are they
numbered by the proximity of a railroad thereto. Consequently it
is not surprising that the pilgrims to the little out-of-the-way
Buckinghamshire village where Milton completed his _Paradise Lost_ are
an inconsiderable percentage of those who journey to Stratford-on-Avon.
For though Chalfont St. Giles lies only a short distance away from the
twenty-third milestone on the high-road from London to Aylesbury, it is
some three miles from the nearest station--a station, too, where few
conveyances are obtainable. Motor cars which will take the would-be
pilgrim in an hour from a Northumberland Avenue hotel may increase its
popularity, but at present the village of the "pretty box," as Milton
called the house, is as slumberous and as little changed as it was in
the year 1665, when Milton fled thither from his house in Artillery
Ground, Bunhill Row, before the terror of the plague.[4] Milton
was then fifty-seven, and is described as a pale, but not cadaverous
man, dressed neatly in black, with his hands and fingers gouty, and
with chalk-stones. He loved a garden, and would never take a house, not
even in London, without one, his habit being to sit in the sun in his
garden, or in the colder weather to pace it for three or four hours at
a stretch. Many of his verses he composed or pruned as he thus walked,
coming in to dictate them to his amanuensis, and it was from the vernal
to the autumnal equinox that his intermittent inspiration bore its
fruit. His only other recreation besides conversation was music, and he
sang, and played either the organ or the bass viol. It was at Chalfont
that Milton put into the hands of Ellwood his completed _Paradise
Lost_, with a request that he would return it to him with his judgment
thereupon. It was here also that on receiving Ellwood's famous opinion,
"Thou hast said much here of Paradise Lost, but what hast thou to say
of Paradise Found?" he commenced his _Paradise Regained_. He returned
to London after the plague abated, in time to see it again devastated
by the fresh calamity of the great fire.
An engraving of this house appears in Dunster's edition of _Paradise
Regained_, and an account in Todd's _Life of Milton_, p. 272; also in
Jesse's _Favourite Haunts_, p. 62.
[Illustration:
6. THE WALLER OAK, COLESHILL
_From the Water-colour in the possession of the Artist._
Painted 1902.]
Public-domain text, read in full here on John Shaqi.
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