England -- Pictorial works; Watercolor painting, British
The subjects which Miss Paterson was called upon to produce were of the
most diversified character, but all of them had figures as their main
feature. To properly limn these she had to employ regular models, but
she also enlisted the aid of her fellow-students, for she was still at
the Royal Academy, and her sketch-books of that time, of which she has
many, are full of studies of artists, no few of whom have since become
celebrated in the world of Art.
Looking through the pages of the _Graphic_ with the artist, it is
interesting to note the variety of episodes upon which Mr. Thomas
employed her. Her drawings were not always from her own sketches, being
at times from originals that had been sent to the paper in an embryo
condition necessitating entire revision, or from rapid notes by artists
sent to represent the paper at important functions. But on occasions
she was also deputed to attend at these, and in consequence underwent
some novel experiences for a young girl. A meeting at Mr. Gladstone's,
Fashions in the Park, Flower Shows at the Botanical Gardens, Archery
at the Toxophilite Society's,--these formed the lighter side of her
work, the more serious being the illustration of novels by novelists of
note. This was at the time a new feature in journalism. Amongst those
entrusted to her were _Innocent_, by Mrs. Oliphant, and _Ninety-Three_,
by Victor Hugo. For the murder trial in the former she had to visit
the Central Criminal Court, and through so doing was more accurate
than the authoress, who admittedly had not been there, and whose work
consequently showed several glaring mistakes, such as the prisoner
addressing the judge by name. She was also employed upon a novel of
Charles Reade's in conjunction with Mr. Luke Fildes and Mr. Henry
Woods. This she undertook with extreme diffidence, for Reade had sent
round a circular saying that he greatly disliked having his stories
illustrated at all; but as it had to be in this case, he begged to
notify that _he_ gave _situations_, whilst George Eliot and Anthony
Trollope only gave conversations, and he requested that good use should
be made of these situations. Meeting him some years afterwards, the
author paid her the compliment of saying he liked her illustration of
the heroine in his story the best of any.
Public-domain text, read in full here on John Shaqi.
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