England -- Pictorial works; Watercolor painting, British
Mrs. Allingham says that most of her drawings are marked in her memory
by some local comment concerning them. In this case a bystander
sympathetically remarked that it seemed "a mighty tedious job," in
that of "Milton's House" that "it was a foolish little thing when
you began"--the most favourable criticism she ever encountered only
amounting to "Why, it's almost worth framing!"
[Illustration:
4. THE ROBIN
_From the Water-colour in the possession of Mr. S. H. S. Lofthouse._
Painted 1898.]
One of the simplest, and yet one of the most satisfying of Mrs.
Allingham's compositions.
It is clearly not a morning to stay indoors with needlework which
neither in size nor importance calls for table or chair. Besides,
at the cottage gate there is a likelier chance of interruption and
conversation with occasional passers-by. But, at no time numerous on
this Surrey hillside, these are altogether lacking at the moment,
and the pink-frocked maiden has to be content with the very mild
distraction afforded by the overtures of the family robin, who is
always ready to open up converse and to waste his time also in
manœuvres and pretended explorations over ground in her vicinity, which
he well knows to be altogether barren of provender.
CHAPTER II
PAINTRESSES, PAST AND PRESENT
Man took advantage of his strength to be
First in the field: some ages have been lost;
But woman ripens earlier, and her life is longer--
Let her not fear.
The fair sex is so much in evidence in Art to-day (the first census of
this century recording the names of nearly four thousand who profess
that calling) that we are apt to forget that the lady artist, worthy of
a place amongst the foremost of the other sex, is a creation of modern
growth.
Paintresses--to call them by a quaint and agreeable name--there have
been in profusion, and an author, writing a quarter of a century ago,
managed to fill two bulky volumes[1] with their biographies; but the
majority of these have owed both their practice and their place in Art
to the fact of their fathers or husbands having been engaged in that
profession.
Public-domain text, read in full here on John Shaqi.
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