"Get a board," sez I. The three boys left in a body to get the board. I
lined up the bones as well as I could, 'cause the leg was some swelled.
Then I bandaged it purty tight, next took an old boot-leg an' bandaged
that in, an' finally split a joint of stovepipe an' packed cotton to
fit the leg, tyin' the whole business to the board when it arrived, an'
proppin' the board up on pillers with one at each side of the foot.
Then I wet the bandage on his head an' arm, puttin' in plenty of
turpentine on the arm to prevent poisonin'. The turpentine made him
twist an' grunt, but when it stopped burnin' his face cleared up.
"My leg's a heap easier," he sez. I only nodded. I knew he had a lot
more steam on his mind. Presently he said, "But we might as well settle
things now as any time. Who are you workin' for?"
"I settled that a long time ago," sez I. "I'm workin' for myself."
"Then what the deuce do you mean takin' my wages?" sez he.
"I ain't takin' your wages, I'm takin' my own," sez I; "but if I was
you I'd keep calm. You'll raise your fever."
"It's my fever!" he yells, an' even the three punchers had to grin.
"Look here, Jabez," sez I, "the' ain't any sense in your gettin' riled.
You ain't dangerous when you rant around, an' I know it; but you're
most uncommon irritatin'. We didn't run any risk in our ride to-day,
an' it proved 'at my way o' feedin' is the right way. You don't own a
pair o' hosses 'at can go out to-morrow an' keep in sight o' Starlight
an' the pinto. An' my way o' handlin' Pluto is the right way too, but
if you don't like my way o' workin' for myself on your ranch--why, the'
's plenty of other ranches. The' ain't no use o' your makin' us both
miserable, quarrellin' like a pair o' children."
"That's what I say," sez Barbie.
"You wait till you're spoke to," sez Jabez; but at that moment the
buckboard came in with old Melisse, an' the very first thing she did
was to chase the three punchers out o' the house, fix up a mess of her
own to put on Jabez's head an' arm, an' then she picks up Barbie in her
arms an' I saw the little chap's lip begin to quiver; I saw Jabez wink
his eyes too fast for comfort; I saw the tears rollin' down the cheeks
of old Melisse, an' I went out into the starlight to look up toward
Mount Savage where Monody was sleepin'. It's a funny thing, life. After
a while I went back inside an' they were purty cozy again. "You been
away purt nigh a year," sez Jabez, "where you been?"
Melisse grinned; she was a Mexican an' had been good lookin' a century
or so before. She was the silent sort, but she could do a heap sight
keener thinkin' 'an lots of 'em 'at kicks up more dust at it.
"Part o' the time I been right here at the ranch," she sez, "but when
the snow was heavy I stayed in a little cave right up the ravine from
the pony corral. You don't reckon 'at I'd leave this child just on your
account, do ya?"
Public-domain text, read in full here on John Shaqi.
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