Hard-Pan: A Story of Bonanza FortunesBonner, Geraldine
General
Hard-Pan: A Story of Bonanza Fortunes
Bonner, Geraldine
Gold miners -- Fiction; San Francisco (Calif.) -- Social life and customs -- Fiction
She uttered the sentences quickly, and was evidently embarrassed. Even
by the light of the smoky lamp Gault could see that she had flushed.
"I never thought of your coming to-night," she said, as she turned
to open the parlor door. "It's a great surprise. My father will be
delighted."
She held the lamp up while the visitor divested himself of his coat and
hung it on the chair that did duty as a hat-rack. In the dim hallway,
with its walls from which the paper had peeled in long strips, and the
stairway beyond, with the twine showing through the ragged carpet,
the man of the world in his well-groomed, well-dressed, complacent
perfection of finish, presented a curiously incongruous appearance.
The girl opened the door, and he followed her into the parlor. It was
a long room, divided in the middle by an archway, its lower end now
veiled in shadow. On a large table another lamp glowed, a bunch of
paper flowers hanging on one side of the globe to subdue the light.
The room gave an impression of lofty emptiness. The footsteps of the
visitor seemed to be flung back from its high, bare walls. The lamp
struck gleams of light from the gilded frame of a large mirror over the
chimney-piece, and here and there caught the running gold arabesques
which covered the wall-paper. There were a few wicker chairs drawn up
to the table, which was covered with the litter of amateur dressmaking.
In the single upholstered chair that the room boasted sat Colonel
Ramsay Reed.
With a loud exclamation of pleasure the colonel rose and greeted his
guest. He was a remarkable-looking man of sixty-five or seventy, fully
six feet in height, erect, alert, with a striking air of distinction in
his narrow, hawk-featured face, and a gaunt, angular figure. His white
hair flowed nearly to his shoulders, and his white mustache was in
singular contrast to the brown and leathery surface of his thin cheeks.
He wore a long wrapper of indeterminate hue, patched with materials
of different colors and patterns, and a pair of old leather slippers
that slipped off his heels when he walked. In his suave and urbane
courtesy he seemed to be serenely indifferent to the deficiencies of
his costume, folding his dressing-gown round his legs as he subsided
into his chair with the deliberate ease that a Roman senator might have
displayed in the arrangement of his toga of ceremony.
His daughter did not appear to share his composure; she was nervous
and embarrassed. She swept off the evidences of her dressmaking with
a few rapid movements, and took them away to the shadows of the far
end of the room, hung another paper flower over the blinding glare
of the second lamp, and, sitting by the table, let her glance stray
furtively about for further details that needed correcting. John
Gault, who appeared to be awarding a polite attention to the colonel's
conversational amenities, was conscious of her every movement.
Public-domain text, read in full here on John Shaqi.
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