Hard-Pan: A Story of Bonanza FortunesBonner, Geraldine
General
Hard-Pan: A Story of Bonanza Fortunes
Bonner, Geraldine
Gold miners -- Fiction; San Francisco (Calif.) -- Social life and customs -- Fiction
Corinne seemed to think this remark worthy of attention. Her search for
the pin was arrested and she pondered for a moment. Then she looked at
the colonel and said tentatively, not quite sure of the reasonableness
of her reply:
"I suppose so that people can have mothers, colonel."
"So that people can have love, Corinne," he answered sadly.
Corinne, feeling that her solution of the problem had not been the
right one, returned to the pin. She found it, and bending over
the patient kitten, inserted it carefully into the band. But her
calculations were not true, the pin pricked, and the cat, with an angry
mew, broke away and went scuttling across the room inclosed in the
skirt. Her appearance was so funny that Corinne sat back on her heels
and, punching the colonel's knee, cried in a burst of laughter:
"Oh, look, colonel, look! Ain't she cunning?"
The colonel looked. The cat turned, still in the skirt, and eyed them
both with a look of hurt protest. It appealed to the colonel's humor
as it had to Corinne's. Their combined laughter filled the room and
greeted Viola as she came up the passage from one of her long walks.
"What are you laughing at?" she asked, as she opened the door and
entered like a pale vision wilted with the heat and light outside.
The colonel's laughter died away immediately. Her listless air of
delicacy struck him anew with the silent reproach which her mere
presence now seemed to suggest. All amusement faded from his face, and
he looked guiltily conscious, like a child found in mischief.
A short time after this a hot spell struck the city. Though it was
September, the heat was stifling. For three days the mercury stood so
high that even Corinne's engrossingly arduous play with the doll and
the kitten was listlessly performed, and she spent most of her time
in the sitting-room with Viola and the colonel, where, behind closed
shutters, they gasped away the hours. The old man seemed to feel the
heat less than before; at least, he said little about it, and occupied
himself in teaching Corinne to play solitaire, a game for which she
evinced a precocious aptitude. Viola, sitting by the window, where now
and then a fine edge of warm air sifted in between the slats in the
shutters, watched them. Her father seemed as much interested as the
child, and the girl wondered how in this oppressive exile he could have
spirit for so trivial an amusement.
After three days the heat broke, and was succeeded by a soothing,
balmy coolness, under the influence of which the city seemed to relax
and rest inert in the torpor of recuperation. The freshened airs that
flowed through the overheated old house extracted every odor left from
years of bad cooking and insufficient ventilation. The musty hangings
of the rooms closed in and held the oven-like atmosphere. Dusty
curtains and grease-stained carpets added their contributions to the
closeness left by years of untidy occupancy.
Public-domain text, read in full here on John Shaqi.
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