Domestic fiction; Education -- Fiction; England -- Fiction; Political fiction; Social problems -- Fiction; Utilitarianism -- Fiction
Being left to saunter in the hall a minute or two while Mr. Gradgrind
went up-stairs for the address, he opened the door of the children’s
study and looked into that serene floor-clothed apartment, which,
notwithstanding its book-cases and its cabinets and its variety of
learned and philosophical appliances, had much of the genial aspect of a
room devoted to hair-cutting. Louisa languidly leaned upon the window
looking out, without looking at anything, while young Thomas stood
sniffing revengefully at the fire. Adam Smith and Malthus, two younger
Gradgrinds, were out at lecture in custody; and little Jane, after
manufacturing a good deal of moist pipe-clay on her face with
slate-pencil and tears, had fallen asleep over vulgar fractions.
‘It’s all right now, Louisa: it’s all right, young Thomas,’ said Mr.
Bounderby; ‘you won’t do so any more. I’ll answer for it’s being all
over with father. Well, Louisa, that’s worth a kiss, isn’t it?’
‘You can take one, Mr. Bounderby,’ returned Louisa, when she had coldly
paused, and slowly walked across the room, and ungraciously raised her
cheek towards him, with her face turned away.
‘Always my pet; ain’t you, Louisa?’ said Mr. Bounderby. ‘Good-bye,
Louisa!’
He went his way, but she stood on the same spot, rubbing the cheek he had
kissed, with her handkerchief, until it was burning red. She was still
doing this, five minutes afterwards.
‘What are you about, Loo?’ her brother sulkily remonstrated. ‘You’ll rub
a hole in your face.’
‘You may cut the piece out with your penknife if you like, Tom. I
wouldn’t cry!’
CHAPTER V
THE KEYNOTE
COKETOWN, to which Messrs. Bounderby and Gradgrind now walked, was a
triumph of fact; it had no greater taint of fancy in it than Mrs.
Gradgrind herself. Let us strike the key-note, Coketown, before pursuing
our tune.
It was a town of red brick, or of brick that would have been red if the
smoke and ashes had allowed it; but as matters stood, it was a town of
unnatural red and black like the painted face of a savage. It was a town
of machinery and tall chimneys, out of which interminable serpents of
smoke trailed themselves for ever and ever, and never got uncoiled. It
had a black canal in it, and a river that ran purple with ill-smelling
dye, and vast piles of building full of windows where there was a
rattling and a trembling all day long, and where the piston of the
steam-engine worked monotonously up and down, like the head of an
elephant in a state of melancholy madness. It contained several large
streets all very like one another, and many small streets still more like
one another, inhabited by people equally like one another, who all went
in and out at the same hours, with the same sound upon the same
pavements, to do the same work, and to whom every day was the same as
yesterday and to-morrow, and every year the counterpart of the last and
the next.
Public-domain text, read in full here on John Shaqi.
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