"I'll doss here," he said; "there's plenty papers"--he knew by
experience that, as bed-clothes, newspapers are warm, if noisy--"and get
on in the morning afore people's up."
He collected all the paper and straw--there was a good deal littered
about in the house--and made a heap in the corner, out of the way of the
window. He did not feel afraid of sleeping in an empty house, only very
lordly and magnificent because he had a whole house to himself. The
food still left in his pockets served for supper, and you could drink
quite well at the wash-house tap by putting your head under and turning
it on very slowly.
And for a final enjoyment he laid out his treasures on the
newspaper--Tinkler and the seal in the middle and the pearly counters
arranged in patterns round them, circles and squares and oblongs. The
seeds lay very flat and fitted close together. They were excellent for
making patterns with. And presently he made, with triple lines of
silvery seeds, a six-pointed star, something like this--
[Illustration]
^
/ \
_____/___\_____
\ / \ /
\ / \ /
^ ^
/ \ / \
/___\_____/___\
\ /
\ /
v
with the rattle and the seal in the middle, and the light from the
street lamp shone brightly on it all.
"That's the prettiest of the lot," said Dickie Harding, alone in the
empty house.
And then the magic began.
CHAPTER IV
WHICH WAS THE DREAM?
THE two crossed triangles of white seeds, in the midst Tinkler and the
white seal, lay on the floor of the little empty house, grew dim and
faint before Dickie's eyes, and his eyes suddenly smarted and felt tired
so that he was very glad to shut them. He had an absurd fancy that he
could see, through his closed eyelids, something moving in the middle of
the star that the two triangles made. But he knew that this must be
nonsense, because, of course, you cannot see through your eyelids. His
eyelids felt so heavy that he could not take the trouble to lift them
even when a voice spoke quite near him. He had no doubt but that it was
the policeman come to "take him up" for being in a house that was not
his.
"Let him," said Dickie to himself. He was too sleepy to be afraid.
But for a policeman, who is usually of quite a large pattern, the voice
was unusually soft and small. It said briskly--
"Now, then, where do you want to go to?"
"I ain't particular," said Dickie, who supposed himself to be listening
to an offer of a choice of police-stations.
There were whispers--two small and soft voices. They made a sleepy
music.
"He's more yours than mine," said one.
"You're more his than I am," said the other.
"You're older than I am," said the first.
"You're stronger than I am," said the second.
"Let's spin for it," said the first voice, and there was a humming sound
ending in a little tinkling fall.
Public-domain text, read in full here on John Shaqi.
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