Harlem shadows : $b the poems of Claude McKayMcKay, Claude
General
Harlem shadows : $b the poems of Claude McKay
McKay, Claude
African Americans -- Poetry; Harlem (New York, N.Y.) -- Poetry; Jamaican Americans -- Poetry
A great many foolish things are said even by wise people upon the
subject of racial inferiority. They seem to think that if science could
establish a certain difference of average ability as between the whites
and blacks, that would justify them in placing the whole of one of
these races in a position of inferior esteem. The same fallacy is
committed in the discussions of sex-inferiority, and it is worth while
to make clear the perfect folly of it. If any defined quantitative
difference is ever established between the average abilities of such
groups, it will be a relatively slight one. The difficulty of
establishing it, is a proof of that. And a slight difference in the
general average would have no application whatever as between any two
individuals, or any minor groups of individuals. The enormous majority
of both races, as of both sexes, would show the same degree of ability.
And so great is the factor of individual variation that we could not
even be sure an example of the highest ability might not arise in the
group whose average was “inferior.” This simple consideration of fact
and good logic should suffice to silence those who think they can ever
appeal to science in support of a general race or sex prejudice.
But in so far as the problem arises between a dominant and a subjected
race, it is impossible for science to say anything even as to averages.
For a fair general test is impossible. The children of the subjected
race never have a chance. To be deprived at the very dawn of selfhood of
a sense of possible superiority, is to be undernourished at the point of
chief educative importance. And to be assailed in early childhood with a
pervading intimation of inferiority is poison in the very centers of
growth. Except for people of the highest force of character, therefore,
to be born into a subjected race is to grow up inferior, not only to the
other race, but to one’s own potential self. We see an example of this
kind of growth in the bombastic locutions of the traditional “darkie”
who has acquired a little culture. Those great big words and long
sentences are the result of a feeling of inferiority. They are a
pathetic over-correction of the very quality of simple-heartedness which
is carried so high in these poems of Claude McKay. It is carried so
high, and made so boldly beautiful, that we can not withhold a tribute
to his will, as well as to his music and imagination. The naked force of
character that we feel in those two recent sonnets, “Baptism” and “The
White City,” is no mere verbal semblance. Its reality is certified by
the very achievement of such commanding art in the face of a
contemptuous or condescending civilization.
Public-domain text, read in full here on John Shaqi.
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