Actors and actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Produced by An Anonymous Volunteer
HARLEQUIN AND COLUMBINE
By Booth Tarkington
I
For a lucky glimpse of the great Talbot Potter, the girls who caught it
may thank that conjunction of Olympian events which brings within the
boundaries of one November week the Horse Show and the roaring climax
of the football months and the more dulcet, yet vast, beginning of the
opera season. Some throbbing of attendant multitudes coming to the ears
of Talbot Potter, he obeyed an inward call to walk to rehearsal by way
of Fifth Avenue, and turning out of Forty-fourth Street to become
part of the people-sea of the southward current, felt the eyes of the
northward beating upon his face like the pulsing successions of an
exhilarating surf. His Fifth Avenue knew its Talbot Potter.
Strangers used to leisurely appraisals upon their own thoroughfares are
apt to believe that Fifth Avenue notices nothing; but they are mistaken;
it is New York that is preoccupied, not Fifth Avenue. The Fifth Avenue
eye, like a policeman's, familiar with a variety of types, catalogues
you and replaces you upon the shelf with such automatic rapidity that
you are not aware you have been taken down. Fifth Avenue is secretly
populous with observers who take note of everything.
Of course, among these peregrinate great numbers almost in a stupor so
far as what is closest around them is concerned; and there are those,
too, who are so completely busied with either the consciousness of being
noticed, or the hope of being noticed, or the hatred of it, that they
take note of nothing else. Fifth Avenue expressions are a filling meal
for the prowling lonely joker; but what will most satisfy his cannibal
appetite is the passage of the self-conscious men and women. For here,
on a good day, he cannot fail to relish some extreme cases of their
whimsical disease: fledgling young men making believe to be haughty to
cover their dreadful symptoms, the mask itself thus revealing what it
seeks to conceal; timid young ladies, likewise treacherously exposed by
their defenses; and very different ladies, but in similar case, being
retouched ladies, tinted ladies; and ladies who know that they are
pretty at first sight, ladies who chat with some obscured companion only
to offer the public a treat of graceful gestures; and poor ladies
making believe to be rich ladies; and rich ladies making believe to be
important ladies; and many other sorts of conscious ladies. And men--ah,
pitiful!--pitiful the wretch whose hardihood has involved him in cruel
and unusual great gloss and unsheltered tailed coat. Any man in his
overcoat is wrapped in his castle; he fears nothing. But to this hunted
creature, naked in his robin's tail, the whole panorama of the Avenue is
merely a blurred audience, focusing upon him a vast glare of derision;
he walks swiftly, as upon fire, pretends to careless sidelong interest
in shop-windows as he goes, makes play with his unfamiliar cane only to
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account