To Stewart Canby, watching, they seemed to move within a sorcerer's circle of enchantment. Upon his disturbed mind there was dawning a conviction that these inspired mummers were beings apart from him, knowing things he never could know, feeling things he never could feel, belonging to another planet whither he could never voyage, where strange winds blew and all things lived and grew in a light beyond his understanding. For the light that shone in the faces of these two was “the light that never was, on sea or land.” It had its blessing for him. From that moment, if he had known it, this play, which was being born of so many parents, was certain of “success,” of “popularity,” and of what quality of renown such things may bring. And he who was to be called its author stood there a Made Man, unless some accident befell. Miss Ellsling spoke and came forward, another actor with her. The scene was over. There was a clearing of throats; everybody moved. The stage-carpenter and his assistant went away blinking, like men roused from deep sleep. The routine of rehearsal resumed its place; and old Tinker, who had not stirred a muscle, rubbed the back of his neck suddenly, and came up the aisle to Canby. “Good business!” he cried. “Did you see that little run off the stage she made when Miss Ellsling came on? And you saw what he can do when he wants to!” “He?” Canby echoed. “He?” “Played for the scene instead of himself. Oh, he can do it! He's an old hand--got too many tricks in the bag to let her get the piece away from him--but he's found a girl that can play with him at last, and he'll use every value she's got. He knows good property when he sees it. She's got a pretty good box of tricks herself; stock's the way to learn 'em, but it's apt to take the bloom off. It hasn't taken off any of hers, the darlin'! What do you think, Mr. Canby?” To Canby, who hardly noticed that this dead old man had come to life, the speech was jargon. The playwright was preoccupied with the fact that Talbot Potter was still on the stage, would continue there until the rather distant end of the act, and that the “ingenue,” after completing the little run at her exit, had begun to study the manuscript of her part, and in that absorption had disappeared through a door into the rear passageway. Canby knew that she was not to be “on” again until the next act, and he followed a desperate impulse. “See a person,” he mumbled, and went out through the lobby, turned south to the cross-street, proceeded thereby to the stage-door of the theatre, and resolutely crossed the path of the distrustful man who lounged there. “Here!” called the distrustful man. “I'm with the show,” said Canby, an expression foreign to his lips and a clear case of inspiration. The distrustful man waved him on. Wanda Malone was leaning against the wall at the other end of the passageway, studying her manuscript. She did not look up until he paused beside her.