Actors and actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
“Why not?”
“I simply won't play it! I don't like it!”
The playwright dropped into a chair, open-mouthed. “Will you tell me why
you ever accepted it?”
“I don't like any play! I hate 'em all! I'm through with 'em all! I'm
through with the whole business! 'Show-business!' Faugh!”
Old Tinker regarded him thoughtfully, then inquired: “Gone back on it?”
“I tell you I'm going to buy a farm!” He sprang up, went to the mantel
and struck it a startling blow with his fist, which appeared to calm
him somewhat--for a moment. “I've been thinking of it for a long time. I
ought never to have been in this business at all, and I'm going to
live in the country. Oh, I'm in my right mind!” He paused to glare
indignantly in response to old Tinker's steady gaze. “Of course you
think 'something's happened' to upset me. Well, nothing has. Nothing
of the slightest consequence has occurred since I saw you at rehearsal.
Can't a man be allowed to think? I just came home here and got to
thinking of the kind of life I lead--and I decided that I'm tired of it.
And I'm not going to lead it any longer. That's all.”
“Ah,” said Tinker quietly. “Nerves.”
Talbot Potter appealed to the universe with a passionate gesture.
“Nerves!” he cried bitterly. “Yes, that's what they say when an actor
dares to think. 'Go on! Play your part! Be a marionette forever!' That's
what you tell us! 'Slave for your living, you sordid little puppet!
Squirm and sweat and strut, but don't you ever dare to think!' You tell
us that because you know if we ever did stop to think for one instant
about ourselves you wouldn't have any actors! Actors! Faugh! What do we
get, I ask you?”
He strode close to Tinker and shook a frantic forefinger within a foot
of the quiet old fellow's face.
“What do I get?” he demanded, passionately. “Do you think it means
anything to me that some fat old woman sees me making love to a sawdust
actress at a matinee and then goes home and hates her fat old husband
across the dinner-table?”
He returned to the fireplace, seeming appeased, at least
infinitesimally, by this thought. “There wouldn't even be that, except
for the mystery. It's only because I'm mysterious to them--the way a
man always thinks the girl he doesn't know is prettier than the one he's
with. What's that got to do with acting? What is acting, anyhow?” His
voice rose passionately again. “I'll tell you one thing it is: It's the
most sordid profession in this devilish world!”
Public-domain text, read in full here on John Shaqi.
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