Actors and actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
“You only coughed!” He paused before her in his stride. “Is it your
purpose to cough during my speeches when this play is produced before an
audience?” He waited for no reply, but taking his head woefully in his
hands, began to pace up and down again, turning at last toward the dark
auditorium to address his invisible manager:
“Really, really, Mr. Tinker,” he cried, despairingly, “we shall have to
change some of these people. I can't act with--Mr. Tinker! Where's Mr.
Tinker? Mr. Tinker! My soul! He's gone! He always is gone when I want
him! I wonder how many men would bear what I--” But here he interrupted
himself unexpectedly. “Go on with the rehearsal! Packer, where were we?”
“Here, sir, right here,” brightly responded Packer, ready finger upon
the proper spot in the manuscript. “You had just begun, 'Nothing in this
world but that one thing can defeat my certain election and nothing but
that one thing shall de--”
“That will do,” thundered his master. “Are you going to play the part?
Get out of the way and let's get on with the act, in heaven's name! Down
stage a step, Miss Ellsling. No; I said down. A step, not a mile!
There! Now, if you consent to be ready, ladies and gentlemen. Very well.
'Nothing in this world but that one thing can defeat my certain election
and noth--'” Again he interrupted himself unexpectedly. In the middle
of the word there came a catch in his voice; he broke off, and whirling
once more upon the miserable Miss Lyston, he transfixed her with a
forefinger and a yell.
“It wasn't a cough! What was that horrible noise you made?”
Miss Lyston, being unable to reply in words, gave him for answer an
object-lesson which demonstrated plainly the nature of the horrible
noise. She broke into loud, consecutive sobs, while Potter, very little
the real cause of them, altered in expression from indignation to the
neighborhood of lunacy.
“She's doing this in purpose!” he cried. “What's the matter with her?
She's sick! Miss Lyston, you're sick! Packer, get her away--take her
away. She's sick! Send her home--send her home in a cab! Packer!”
“Yes, Mr. Potter, I'll arrange it. Don't be disturbed.”
The stage-manager was already at the sobbing lady's side, and she leaned
upon him gratefully, continuing to produce the symptoms of her illness.
“Put her in a cab at once,” said the star, somewhat recovered from
his consternation. “You can pay the cabman,” he added. “Make her as
comfortable as you can; she's really ill. Miss Lyston, you shouldn't
have tried to rehearse when you're so ill. Do everything possible for
Miss Lyston's comfort, Packer.”
He followed the pair as they entered the passageway to the stage door;
then, Miss Lyston's demonstrations becoming less audible, he halted
abruptly, and his brow grew dark with suspicion. When Packer returned,
he beckoned him aside. “Didn't she seem all right as soon as she got out
of my sight?”
“No, sir; she seemed pretty badly upset.”
“What about?”
Public-domain text, read in full here on John Shaqi.
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