Harmonies of Political Economy: Translated from the Third French Edition, with a Notice of the Life and Writings of the AuthorBastiat, Frédéric
Philosophy
Harmonies of Political Economy: Translated from the Third French Edition, with a Notice of the Life and Writings of the Author
Bastiat, Frédéric
Economics
Other circumstances contributed to discourage Bastiat: “I suffer from
my poverty,” he tells Mr Cobden. “If, instead of running from one to
another on foot, splashed and bespattered to the back, in order to
meet only one or two people a-day, and obtain evasive and dilatory
answers, I could assemble them at my table in a rich ‹salon›, how
many difficulties would be removed! I want neither head nor heart,
but I feel that this superb Babylon is not the place for me, and I
must hasten back to my solitude.” His heart was constantly reverting
to the happy and peaceful days he had passed at Mugron. “I suffer,”
he says in a letter to Coudroy, “from leaving Mugron, and my old
habits, my desultory labours, and our nice little chats. It is a
frightful ‹déchirement›; but can I recede?” “Paris and I are not made
for each other.” “Often I think of Mugron, its philosophic calm, and
its fruitful leisure. Here life is wasted in doing nothing, or at
least in producing nothing.”
Bastiat’s appearance in Paris at this epoch is thus described by one
of his friends. “He had not had time to call in the assistance of a
Parisian hatter and tailor,” says M. de Molinari; “and with his long
hair, his tiny hat, his ample frock-coat, and his family umbrella,
you would have been apt to mistake him for an honest peasant, who had
come to town for the first time to see the wonders of the metropolis.
But the physiognomy of this apparent clown was arch and spiritual;
his large black eye was luminous, and his square well-proportioned
forehead bore the impress of thought.”
“I remember, as if it were yesterday,” says M. Louis Reybaud, “the
impression which he produced. It was impossible to see a more
characteristic specimen of a provincial scholar, simple in his
manner, and plain in his attire. But, under that homely garb, and
that air of ‹bonhomie›, there were flashes of intelligence, and a
native dignity of deportment; and you were not long in discovering an
honest heart and a generous soul. The eye, above all, was lighted up
with singular brightness and fire. His emaciated features and livid
complexion betrayed already the ravages of that disease which, in
a few years, was destined to carry him off. His [p018] voice was
hollow, and formed a contrast with the vivacity of his ideas and
the briskness of his gestures. When the conversation was animated,
his voice became feebler, and his lungs performed their office with
difficulty. Better taken care of, his constitution, feeble as it was,
might have lasted a long time. But Bastiat took counsel only of his
energy. He never thought of how many days he had to live, but how he
might employ them well.”[6]
“I accept resolutely the hard life on which I am about to enter,” he
says in one of his letters. “What gives me courage is not the ‹non
omnis moriar› of Horace, but the thought that, perhaps, my life may
not have been useless to mankind.”[7]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account