India -- History -- 19th century -- Fiction; Marriage -- Fiction; Missions -- India -- Fiction
A third, equally discriminating, guessed that the picture was that of a
_fish_.[2]
“How will it be possible to get any spiritual ideas into the minds of
those who cannot distinguish the commonest objects?” thought Alicia. She
forgot that this was probably the first time that the women had looked
on the picture of a sheep: their eyes were untrained as well as their
minds.
At the exclamations uttered, a young girl, quite as fair as Kripá Dé,
turned to have a distant view of the wonderful book round which the
bibis were crowding. It was but distant, for the girl did not rise from
her place on the floor, near what looked like a round hole. Into this
hole the fair creature, and a darker and stronger-looking woman beside
her, were pounding away with alternate blows of what appeared to be
short wooden clubs. The natives in this manner separate rice from the
husk. The laborious occupation had made the young girl’s chaddar fall
back on her shoulders, revealing a pale but to Alicia singularly
interesting face.
Footnote 2:
Such guesses were actually made when A. L. O. E. showed such a print.
“Is not such work too hard for one so young?” said Alicia; for the
slight, delicately-formed frame of the girl strongly contrasted with the
stout figure and strong thick arms of her companion in labour.
“Premi always beats rice,” said Chand Kor, as if that were sufficient
reply; and in a sharp tone she bade Premi go on with her work. The
pounding, which had been suspended for two minutes, perhaps to rest
weary arms, perhaps to give the woman the opportunity of giving a glance
at the pictures, was instantly resumed.
“I suppose that Premi is Kripá Dé’s sister—she is white also,” observed
Alicia. The observation met with no denial, though it was evident, from
the contrast between the girl’s coarse dress and the youth’s very
elegant attire, that they occupied very different stations in Chand
Kor’s zenana.
“Why does Premi wear no jewels?” asked Alicia.
“She’s a widow,” said a rough-featured middle-aged woman, whose fat
brown arms were encircled with at least half-a-dozen bracelets.
“A widow—and so young!” exclaimed Alicia. She had often heard of
child-marriages; but seeing is a very different thing from hearing. It
shocked her to think of the fairest inmate of the zenana being doomed to
life-long labour and degradation. The dejected, hopeless expression in
eyes which looked as if they might sparkle so brightly under their long
dark lashes, awoke in Alicia a sense of compassion. “Is she a relation
of yours?” asked Harold’s wife of the middle-aged woman.
“She is my father’s widow,” was the reply.
“You mean your son’s!” exclaimed Alicia.
Public-domain text, read in full here on John Shaqi.
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