Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
General
Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
I had never before seen a public execution in England, but I knew
perfectly well—as who does not know?—the feeling with which such
exhibitions are regarded by the lower orders, and I had often revolved in
my mind the probable cause of that feeling. In now witnessing thus
accidentally the whole ceremony, I thought I perceived one source of it,
and that not a trifling one, in the ceremony itself. It struck me, and I
have no doubt but others have received the same impression, that with all
the actual horrors of the dismal process, in addition to a great deal that
is disgusting, there is a great deal more that is essentially though
horribly ridiculous in our national legal method of public killing. The
idea of tying a man’s hands, of drawing over his face a white night-cap,
through which his features yet remain dimly legible, and then hanging him
up in the air is manifestly a ridiculous idea—and connect it with what
dreadful realities we may, the sense of the comic or absurd will
predominate in the minds of the populace, ever alive to the appreciation
of the preposterous or the discrepant, and never willingly disposed to
serious reflection. The vagabond kennel-raker, the nomadic coster, the
houseless thief, the man of the lowest order of intellect or of morals,
sees the majesty of the law descending to the punch-and-judy level, and
getting rid of its criminals by the same process as the hunch-backed
worthy adopts to get rid of his tormentor—and being accustomed from his
infancy to laugh heartily at the latter exhibition, he is not likely to
retain for any length of time a grave demeanor in presence of the former
one. A flogging in the army is allowed by all unfortunate enough to have
witnessed it to be a far more impressive spectacle than a hanging at the
Old Bailey. Strong men are known to faint at the sight of the one, while
boys and women find amusement in the other. If the object of either
exhibition be to deter the spectators from offending against the laws, why
is the discrepancy between the effects of the two all on the wrong side?
unless it be that the one exhibits the semblance at least of Justice
vindicating her violated authority with a deserved though terrible measure
of severity, while the other comes into view as a mere hasty and bungling
business of killing, the vulgar and beggarly details of which it is
impossible to connect in imagination with her divine attributes.
Public-domain text, read in full here on John Shaqi.
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