Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
General
Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Some years before, I had witnessed in Paris the execution of two men for
assassination. The crowd on that occasion, in the Place de Grève, was as
great as now in the Old Bailey; but their decorum, I am bound to state,
was infinitely greater. I can only account for this difference in favor of
a population among whom human life is at a far greater discount than it is
with us, from the fact that among the French a public execution is a much
more impressive spectacle than it can be made to be in England. The
guillotine bears a higher character, perhaps, because it wears a more
serious and terrible aspect than the gallows; and the functionary who
controls its avenging blade does not, as with us, bear a name the synonym
of all that is loathsome and repulsive. It is the same class of men and
the same order of minds that flock together to gaze at public executions
wherever they take place; but I question whether, in any other country
than England, a class of traders could be found corresponding with our
hawkers and bawlers of last dying speeches, who congregate with their
lying wares around the foot of the gallows, watchfully waiting for the
commencement of the death-struggle, to them the signal of commerce, and
then at the precise moment of horror, unanimously exploding from their
hoarse throats “a full, true, and particular account, for the small charge
of one half-penny.” The meanest mud-lark in all Gaul, the infamous and
mal-odorous _chiffonier_ of Paris, would recoil with disgust from such a
species of traffic, the prevalence and prosperity of which at such a time
among the lowest orders of London, testify perhaps more than any other
single fact to the degraded state of the popular feeling in reference to
death-punishment by the hands of the hangman.
Public-domain text, read in full here on John Shaqi.
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