Harper's New Monthly Magazine, No. VI, November 1850, Vol. I — John Shaqi
Harper's New Monthly Magazine, No. VI, November 1850, Vol. IVarious
History
Harper's New Monthly Magazine, No. VI, November 1850, Vol. I
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Anne Dysart is not Miss Douglas's Anne Dysart: she is yours, ours,
everybody's. She is the very every-day young lady. The author did not
invent her: she found her where the Highlandman found the tongs--by the
fireside. And that is her true position, where alone she is at home.
When she goes into society, unless it be among associates, she is always
under some sort of alarm. She is told that there is company in the
drawing-room, strangers come to visit--young ladies celebrated for their
beauty and accomplishments--and she treads the stairs with a beating
heart, feeling awkward and ignorant, and enters with a desperate
calmness. The visitors, however, like her, she is so modest and
unobtrusive; and the every-day young lady is charmed and even affected
by their patronizing kindness. She is reputed by these persons as a
"nice girl, rather amiable-looking, but not in the least like the
heroine of a novel." When she visits them in return, she is at first
oppressed with a feeling of shyness, but at length still more
overpowered by the kindness with which she is received, and she walks to
the window to conceal her emotion. In this position our Anne--for we
deny that Miss Douglas has any special property in her--comes out
strong: "As Anne now stood, dressed in deep mourning, the blackness of
her garments only relieved by a small white collar and a pair of cuffs,
the expression of her countenance very pensive, her eyes shining mildly
in the sunlight which was reflected from the crimson curtain upon her at
present somewhat pale cheek, Mrs. Grey, as she whispered to Charlotte,
'Really, poor thing, she does look very interesting!' felt the influence
of her peculiar charm, without, however, comprehending its source."
Anne attracts the attention of one of the company, a harsh-featured,
ungraceful person, under forty, with a large mouth, determined lips,
deep-set, thoughtful eyes, and a confused mass of dark hair hanging over
a large and full forehead. Whereupon she instantly feels uncomfortable
and frightened. But for all that, it is settled that the _bête noir_
walks home with her; and resting the tips of her fingers on his arm,
onward they go, these two fated individuals, in solemn silence. The
conversation which at length begins consists of unpolite questions on
the gentleman's part, and constrained answers on that of the lady; but
at length she is saved from replying to a specially disagreeable and
impertinent interrogatory by stumbling over a stone.
"_Did you fall on purpose?_" said he. The every-day young lady is both
frightened and displeased, and being further urged, feels something
actually resembling indignation. When they part, it is with a feeling on
her part of inexpressible relief, and she thinks to herself that she had
never before met so singular or so disagreeable a man.
Public-domain text, read in full here on John Shaqi.
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