Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.Various
General
Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
HARPER'S
NEW MONTHLY MAGAZINE.
NO. XI.--APRIL, 1851--VOL. II.
[Illustration: Washington Irving
[From a Daguerreotype by Plumbe.]]
There is a freshness about the fame and the character of Mr. IRVING, no
less than about his writings, which enables us to contemplate them with
unabated delight. Few men are so identified personally with their
literary productions, or have combined with admiration of their genius
such a cordial, home-like welcome in the purest affections of their
readers. We never become weary with the repetition of his familiar name;
no caprice of fashion tempts us to enthrone a new idol in place of the
ancient favorite; and even intellectual jealousies shrink back before
the soft brilliancy of his reputation. In the present Number of our
Magazine, we give our readers a portrait of the cherished author, with a
sketch of his sunny residence, which we are sure will be a grateful
memorial of one, to whom our countrymen owe such an accumulated fund of
exquisite enjoyments and delicious recollections. We will not let the
occasion pass without a few words of recognition, though conscious of no
wish to indulge in criticisms which at this late day might appear
superfluous.
The position of Mr. IRVING in American literature is no less peculiar
than it is enviable. With the exception of Mr. PAULDING, none of our
eminent living authors have been so long before the public. He commenced
his career as a writer almost with the commencement of the present
century. The first indications of his rich vein of humor and invention
that appeared through the press, were contained in the Jonathan Oldstyle
Letters, published in the Morning Chronicle in 1802, when he was in the
twentieth year of his age. His health at this time having become
seriously impaired, he spent a few years in European travel, and soon
after his return in 1806, he wrote the sparkling papers in Salmagundi,
which at once decided his position as a shrewd observer of society, a
pointed and vigorous satirist, a graphic delineator of manners, and a
quaint moral teacher, whose joyous humor graciously attempered the
bitterness of his wit. It was not, however, till the appearance of
Knickerbocker, that his unique powers, in this respect, were displayed
in all their vernal bloom, giving the promise of future golden harvests,
which has since been more than redeemed in the richness and beauty of
the varied productions of his genius.
Public-domain text, read in full here on John Shaqi.
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