Harper's New Monthly Magazine: No. XVI.—September, 1851—Vol. III.Various
History
Harper's New Monthly Magazine: No. XVI.—September, 1851—Vol. III.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The body of the emperor lay in state, on a platform raised in an
apartment of the house where he died. The presence-chamber was hung with
black, and the bier was covered with a cloth of gold. A great many wax
tapers lighted up the gloomy scene. A priest at the head of the bier
prayed continually for the repose of his deceased sovereign's soul. Two
sentinels, with drawn swords, watched day and night beside the dead, two
were stationed at the doors, and two stood on each step leading to the
bier. Every person received at the door a lighted taper, which he held
while he remained in the apartment. The empress was present during these
masses, but she always fainted at the conclusion of the service. Crowds
of people united their prayers to hers, for the emperor was adored by
the common people. The corpse of Alexander I. lay in state twenty-one
days before it was removed to the Greek monastery of St. Alexander,
where it was to rest before its departure for interment in St.
Petersburgh.
Upon the 25th December, the remains of the emperor were placed on a
funeral car drawn by eight horses, covered to the ground with black
cloth ornamented with the escutcheons of the empire. The bier rested on
an elevated dais, carpeted with cloth of gold; over the bier was laid a
flag of silver tissue, charged with the heraldic insignia proper to the
imperial house. The imperial crown was placed under the dais. Four
major-generals held the cords which supported the diadem. The persons
composing the household of the emperor and empress, followed the bier
dressed in long black mantles, bearing in their hands lighted torches.
The Cossacks of the Don every minute discharged their light artillery,
while the sullen booming of the cannon added to the solemnity of the
imposing scene.
Upon its arrival at the church, the body was transferred to a catafalco
covered with red cloth, surmounted by the imperial arms in gold,
displayed on crimson velvet. Two steps led up to the platform on which
the catafalco was placed. Four columns supported the dais upon which the
imperial crown, the sceptre, and the globe rested.
The catafalco was surrounded by curtains of crimson velvet and cloth of
gold, and four massy candelabra, at the four corners of the platform,
bore wax tapers sufficient to dispel the darkness, but not to banish the
gloom pervading the church, which was hung with black, embroidered with
white crosses. The empress made an attempt to assist at this funeral
service, but her feelings overpowered her, and she was borne back to the
palace in a swoon; but as soon as she came to herself, she entered the
private chapel, and repeated there the same prayers then reciting in the
church of St. Alexander.
Public-domain text, read in full here on John Shaqi.
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