Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: NoneVarious
General
Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: None
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
"Nothing that _you_ would call any thing has been done to-day," replies
Mr. Tulkinghorn.
"Nor ever will be," says my Lady.
Sir Leicester has no objection to an interminable Chancery suit. It is a
slow, expensive, British, constitutional kind of thing. To be sure, he
has not a vital interest in the suit in question, her part in which was
the only property my Lady brought him; and he has a shadowy impression
that for his name--the name of Dedlock--to be in a cause, and not in the
title of that cause, is a most ridiculous accident. But he regards the
Court of Chancery, even if it should involve an occasional delay of
justice and a trifling amount of confusion, as a something, devised in
conjunction with a variety of other somethings, by the perfection of
human wisdom, for the eternal settlement (humanly speaking) of every
thing. And he is, upon the whole, of a fixed opinion, that to give the
sanction of his countenance to any complaints respecting it, would be to
encourage some person of the lower orders to rise up somewhere--like Wat
Tyler.
"As a few fresh affidavits have been put upon the file," says Mr.
Tulkinghorn, "and as they are short, and as I proceed upon the
troublesome principle of begging leave to possess my clients with any
new proceedings in a cause;" cautious man, Mr. Tulkinghorn, taking no
more responsibility than necessary; "and further, as I see you are going
to Paris, I have brought them in my pocket."
(Sir Leicester was going to Paris too, by-the-by, but the delight of the
fashionable intelligence was in his Lady.)
Mr. Tulkinghorn takes out his papers, asks permission to place them on a
golden talisman of a table at my Lady's elbow, puts on his spectacles,
and begins to read by the light of a shaded lamp.
"'In Chancery. Between John Jarndyce--'"
My Lady interrupts him, requesting him to miss as many of the formal
horrors as he can.
Mr. Tulkinghorn glances over his spectacles, and begins again lower
down. My Lady carelessly and scornfully abstracts her attention. Sir
Leicester in a great chair looks at the fire, and appears to have a
stately liking for the legal repetitions and prolixities, as ranging
among the national bulwarks. It happens that the fire is hot, where my
Lady sits; and that the hand-screen is more beautiful than useful, being
priceless, but small. My Lady, changing her position, sees the papers on
the table--looks at them nearer--looks at them nearer still--asks
impulsively:
"Who copied that?"
Mr. Tulkinghorn stops short, surprised at my Lady's animation and her
unusual tone.
"Is it what you people call law hand?" she asks, looking full at him in
her careless way again, and toying with her screen.
"Not quite. Probably"--Mr. Tulkinghorn examines it as he speaks--"the
legal character it has, was acquired after the original hand was formed.
Why do you ask?"
"Any thing to vary this detestable monotony. O, go on, do!"
Public-domain text, read in full here on John Shaqi.
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