Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: NoneVarious
General
Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: None
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Henry had been looking at the unfinished pictures with a sort of terror,
because they appeared to him as obstacles between him and his request.
He dared not speak, fearing to hear again the terrible word
"impossible!" and he was going away, when Jules took him by the hand and
drew him toward Emily. "Sister," he said, "I have brought my friend
Henry to see you; he wishes to ask you something; do speak to him."
"Jules," she replied, "let me paint; you know I have very little time.
You are playing the spoiled child: you abuse my indulgence."
"Indeed, Emily, I am not jesting; you must really speak to Henry. If you
knew how unhappy he is!"
Mademoiselle d'Orbe, raising her eyes to the boy, was struck with his
pale and anxious face, and said to him in a kind voice, as she continued
her painting: "Forgive my rudeness, my little friend; this picture is to
be sent to the Exposition, and I have not a moment to lose, because,
both for my brother's sake and my own, I wish it to do me credit. But
speak, my child; speak without fear, and be assured that I will not
refuse you any thing that is in the power of a poor artist."
Henry, regaining a little courage, told her what he desired: then Jules,
having related his friend's visit to their master, Henry added; "But I
see very well, mademoiselle, that you can not do this portrait either,
and I am sorry to have disturbed you."
In the mean time little Jules had been kissing his sister, and caressing
her soft hair, entreating her not to refuse his little friend's request.
Mademoiselle d'Orbe was painting Anna Boleyn: she stopped her work; a
struggle seemed to arise in the depth of her heart, while she looked
affectionately on the children. She, however, soon laid aside her
pallet, and casting one glance of regret on her picture: "I will take
your father's portrait," she said to Henry---"that man of sorrow and of
genius. Your mother's wish shall be fulfilled."
She had scarcely uttered these words when a lady entered the room. She
was young, pretty, and richly dressed. Having announced her name, she
asked Mademoiselle d'Orbe to take her portrait, on the express condition
that it should be finished in time to be placed in the Exposition.
"It is impossible for me to have this honor, madame," replied the
artist: "I have a picture to finish, and I have just promised to do a
portrait to which I must give all my spare time."
"You would have been well paid for my portrait, and my name in the
catalogue would have made yours known," added the young countess.
Mademoiselle d'Orbe only replied by a bow; and the lady had scarcely
withdrawn, when, taking her bonnet and shawl, the young artist embraced
her brother, took Henry by the hand, and said to him: "Bring me to your
mother, my child."
Public-domain text, read in full here on John Shaqi.
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