Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: NoneVarious
General
Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: None
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Henry flew rather than walked; Mademoiselle d'Orbe could with difficulty
keep up with him. Both ascended to the fifth story in the house in the
Rue Descartes, where this poor family lived. When they reached the door,
Henry tapped softly at it. Madame G---- opened it.
"Mamma," said the boy, trembling with emotion, "this lady is an artist:
she is come to take papa's portrait." The poor woman, who had not hoped
for such an unexpected happiness, wept as she pressed to her lips the
hands of Mademoiselle d'Orbe, and could not find words to express her
gratitude.
The portrait was commenced at once; and the young artist worked with
zeal and devotion, for her admiration of the gifted and unfortunate man
was intense. She resolved to make the piece valuable as a work of art,
for posterity might one day demand the portrait of this gifted man, and
her duty as a painter was to represent him in his noblest aspect.
Long sittings fatigued the invalid; so it was resolved to take two each
day, and the young artist came regularly twice every day. As by degrees
the strength of the sick man declined, the portrait advanced. At length,
at the end of twelve days, it was finished: this was about a week before
the death of M. G----.
At the same time that she was painting this portrait, Mademoiselle
d'Orbe worked with ardor on her large painting, always hoping to have it
ready in time. This hope did not fail her, until some days before the
1st of February. There was but a week longer to work: and this year she
must abandon the idea of sending to the Exposition.
Some artists who had seen her picture had encouraged her very much; she
could count, in their opinion, on brilliant success. This she desired
with all her heart: first, from that noble thirst of glory which God has
implanted in the souls of artists; and, secondly, from the influence it
would have on the prospects of her little Jules, whom she loved with a
mother's tenderness, and whom she wished to be able to endow with all
the treasures of education. This disappointment, these long hours of
toil, rendered so vain at the very moment when she looked forward to
receive her reward, so depressed the young artist, that she became
dangerously ill.
Mademoiselle d'Orbe had very few friends, as she was an orphan, and
lived in great retirement; she found herself, therefore, completely left
to the care of her young attendant. When Jules met Henry at the
drawing-school he told him of his sister's illness: Henry informed his
mother, and Madame G---- immediately hastened to Mademoiselle d'Orbe,
whom she found in the delirium of a fever from which she had been
suffering for some days. The servant said that her mistress had refused
to send for a doctor, pretending that her illness did not signify.
Madame G----, terrified at the state of her young friend, went out and
soon returned with Dr. Raymond.
Public-domain text, read in full here on John Shaqi.
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