Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
"If you please, he told _me_ that!" says Rosa. "But he said that he and
the other young gentleman came from London only last night by the mail,
on business at the magistrates' meeting ten miles off, this morning; and
that as their business was soon over, and they had heard a great deal
said of Chesney Wold, and really didn't know what to do with themselves,
they had come through the wet to see it. They are lawyers. He says he is
not in Mr. Tulkinghorn's office, but is sure he may make use of Mr.
Tulkinghorn's name, if necessary." Finding, now she leaves off, that she
has been making quite a long speech, Rosa is shyer than ever.
Now, Mr. Tulkinghorn is, in a manner, part and parcel of the place; and,
besides, is supposed to have made Mrs. Rouncewell's will. The old lady
relaxes, consents to the admission of the visitors as a favor, and
dismisses Rosa. The grandson, however, being smitten by a sudden wish
to see the house himself, proposes to join the party. The grandmother,
who is pleased that he should have that interest, accompanies
him--though, to do him justice, he is exceedingly unwilling to trouble
her.
"Much obliged to you, ma'am!" says Mr. Guppy, divesting himself of his
wet dreadnought in the hall. "Us London lawyers don't often get an out;
and when we do, we like to make the most of it, you know."
The old housekeeper, with a gracious severity of deportment, waves her
hand toward the great staircase. Mr. Guppy and his friend follow Rosa,
Mrs. Rouncewell and her grandson follow them, a young gardener goes
before to open the shutters.
As is usually the case with people who go over houses, Mr. Guppy and his
friend are dead beat before they have well begun. They straggle about in
wrong places, look at wrong things, don't care for the right things,
gape when more rooms are opened, exhibit profound depression of spirits,
and are clearly knocked up. In each successive chamber that they enter,
Mrs. Rouncewell, who is as upright as the house itself, rests apart in a
window-seat, or other such nook, and listens with stately approval to
Rosa's exposition. Her grandson is so attentive to it, that Rosa is
shyer than ever--and prettier. Thus they pass on from room to room,
raising the pictured Dedlocks for a few brief minutes as the young
gardener admits the light, and reconsigning them to their graves as he
shuts it out again. It appears to the afflicted Mr. Guppy and his
inconsolable friend, that there is no end to the Dedlocks, whose
family-greatness seems to consist in their never having done any thing
to distinguish themselves, for seven hundred years.
Even the long drawing-room of Chesney Wold can not revive Mr. Guppy's
spirits. He is so low that he droops on the threshold, and has hardly
strength of mind to enter. But a portrait over the chimney-piece,
painted by the fashionable artist of the day, acts upon him like a
charm. He recovers in a moment. He stares at it with uncommon interest;
he seems to be fixed and fascinated by it.
Public-domain text, read in full here on John Shaqi.
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