Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
"Dear me!" says Mr. Guppy. "Who's that?"
"The picture over the fire-place," says Rosa, "is the portrait of the
present Lady Dedlock. It is considered a perfect likeness, and the best
work of the master."
"'Blest!" says Mr. Guppy, staring in a kind of dismay at his friend, "if
I can ever have seen her. Yet I know her! Has the picture been engraved,
miss?"
"The picture has never been engraved. Sir Leicester has always refused
permission."
"Well!" says Mr. Guppy, in a low voice, "I'll be shot if it an't very
curious how well I know that picture! So that's Lady Dedlock, is it?"
"The picture on the right is the present Sir Leicester Dedlock. The
picture on the left is his father, the late Sir Leicester."
Mr. Guppy has no eyes for either of these magnates. "It's unaccountable
to me," he says, still staring at the portrait, "how well I know that
picture! I'm dashed!" adds Mr. Guppy, looking round, "if I don't think I
must have had a dream of that picture, you know!"
As no one present takes any especial interest in Mr. Guppy's dreams, the
probability is not pursued. But he still remains so absorbed by the
portrait, that he stands immovable before it until the young gardener
has closed the shutters; when he comes out of the room in a dazed state,
that is an odd though a sufficient substitute for interest, and follows
into the succeeding rooms with a confused stare, as if he were looking
every where for Lady Dedlock again.
He sees no more of her. He sees her rooms, which are the last shown, as
being very elegant, and he looks out of the windows from which she
looked out, not long ago, upon the weather that bored her to death. All
things have an end--even houses that people take infinite pains to see,
and are tired of before they begin to see them. He has come to the end
of the sight, and the fresh village beauty to the end of her
description; which is always this:
"The terrace below is much admired. It is called, from an old story in
the family, The Ghost's Walk."
"No?" says Mr. Guppy, greedily curious; "what's the story, miss? Is it
any thing about a picture?"
"Pray tell us the story," says Watt, in a half whisper.
"I don't know it, sir." Rosa is shyer than ever.
"It is not related to visitors; it is almost forgotten," says the
housekeeper, advancing, "It has never been more than a family anecdote."
"You'll excuse my asking again if it has any thing to do with a picture,
ma'am," observes Mr. Guppy, "because I do assure you that the more I
think of that picture the better I know it, without knowing how I know
it!"
Public-domain text, read in full here on John Shaqi.
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