Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The place of assembly for these great festive or charitable
demonstrations (the only kind of "demonstration," except such as are
military, which can be seen in Russia) is not unworthy of its purposes.
It is probably the finest of its kind in Europe or in the world, and is
called the "Hall of Nobility"--_Salle de Noblesse_--a vast edifice,
capable of receiving seven thousand guests, supported inside by splendid
scagliola columns, richly decorated, skillfully laid out, distributed
into a vast pit for dancing, with circumambient galleries and balconies,
with retiring or withdrawing apartments for the emperor and his court,
and with general refreshment-rooms in the outer circuit. This scene is
lit up by clusters of wax-lights the beams of which are multiplied by
crystal pendants; while the wax-lights themselves are many thousands in
number, more numerous, in fact, than the stars visible to the naked eye
on a bright frosty night.
A great masquerade ball for the benefit of the invalids, in such a
place, with the additional attraction of the promised presence of the
Emperor Nicholas, was irresistible. I determined to go, and my
determination was the more natural inasmuch as I happened to possess a
free ticket. On entering, I was struck by the novel and somewhat
grotesque feature imparted to the scene by the lottery prizes, which had
lain there "on view" for some days previously. I found a crowd which was
afterward estimated at seven thousand; but, I dare say, it numbered five
or six only.
Perfectly lost in the vastness of the place, the multitude assembled,
and the grotesque horror of beautiful forms without human faces, I sat
down for awhile, near the orchestra. The benches, on one of which I was,
rose here in successive tiers, from the vast, pit-like saloon to the
surrounding gallery, which was overhung by another gallery, and abutted
upon several splendid refreshment-rooms. Before and below, the crowd was
particularly dense around a little rostrum, on which a glass wheel and
several officials who plied it, stood together. The press, the throng,
the hustling, the jostling, the redness of faces where they could be
seen, and the activity of elbows where they could be insidiously
inserted, were raging around. A similar apparatus, besieged by similar
votaries, stood at the other three corners of the saloon. In the
ancillary apartments there were more of these shrines of gambling; a
gambling in which only one class was sure to win, a class unvexed by the
excitement of the game, the invalided veterans, the brave old disabled
soldiers of the empire. For their sakes was all this gorgeous commotion;
for their sakes this splendid mob bustled about the "_Ailetpii
Allegri_;" that is, the wheels of fortune, the lottery stands, the
stalls of fate. All round these, and between them, circulated the
pervading immensity of the masquerade.
Public-domain text, read in full here on John Shaqi.
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