Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Tired of this part of the scene, I asked the person next me, in what
part of the room the emperor was. I had already seen Alexander, the
crown prince, or, as he is called, the _Grand Duc Héritier_, walking
about with a lady on his arm, his handsome open countenance radiant with
the smiles that are so easily lit there.
"The emperor," said the person whom I had asked, "passed this way about
a quarter of an hour since, and must be somewhere yonder," and he
pointed to the end of the saloon, opposite the orchestra.
I arose, ascended the flights of stairs that conducted to the
Boulevard-like gallery, and I began to thread my way behind the
scagliola columns. Beyond these, across the width of the corridor, arose
the wall which was the running boundary of the corridor on the other
side; and into this wall were let tall mirrors, which multiplied every
particular of the confused and shifting splendor of the rooms.
When I reached the further end of the gallery, a spectacle was offered
to me, which arrested all my attention. I must premise, that when the
emperor attends these festivities, or others of a like nature, he
evinces certain likings, feelings, tastes. He is not entirely
indifferent as to what his subjects may do. If there be one thing more
than another which he abhors, it is that in these scenes of familiar
relaxation, in which he mingles to unbend his own mind, while
contributing indirectly a new interest to the revels of others, he
should be saluted as emperor, or beset by the unmannerly siege of a
universal stare. It is strictly understood, or, as the fashionable
jargon is, _de rigueur_, that he is present as any other stranger, not
to be noted, not to be quoted, quite incognitus. Here he comes, like any
one else, to amuse himself, to forget imperial cares for a brief moment.
Nothing pleases him more than to let him pass. Can he not be as any
other of the countless visitors, who engage in the intricate tactics of
these grave and sober saturnalia--this game of small mystery--this
strategic maze of hushed frolic--these profound combinations of grown-up
gentlemen and ladies at hide-and-seek?
I had easily figured to myself, that it was easier for the emperor to
let people know that such was his wish, than for others to affect an
unconsciousness which they did not feel, or an indifference which they
felt still less. I had guessed that, in such scenes, his desire to be
allowed to move about unnoticed, was difficult to be reduced to perfect
practice. But I was far indeed from being prepared for what I beheld.
Public-domain text, read in full here on John Shaqi.
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