Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Nor this alone--but the cunning of Arabian art has sucked the secret of
their sweetness from tea and coffee, from all the wild herbs of Syria,
and from amber. In those small jars is stored the rich result of endless
series of that summer luxuriance you saw in the vale of Zabulon.
Sandal-wood to burn upon your nargileh, mystic bits to lay upon your
tongue, so that the startled Bedoueen, as you pass into the bazaar, and
breathe upon him in passing, dreams that you came from Paradise, and
have been kissed by houris.
Was it not the magic to draw from your purse the Philosopher's Stone?
The court-physician of Zobeide, relapsing into reverie, smiles vaguely
as he says salaam; as if the advantage were his--as if you were not
bearing away with you in those odors the triumphs of the rarest alchemy.
Breathing fragrance, you enter a khan opening upon the bazaar, that of
Assad Pacha, a stately and beautiful building, consisting of a lofty
domed court, the dome supported by piers, with a gallery running quite
around it. Private rooms for the choicest goods open out of the gallery.
The court is full of various merchandise, and merchants from every
region sit by their goods, and smoke placidly as they negotiate.
But we have received visits in our hotel from an Armenian merchant,
young and comely--why not Khadra's cousin?--and he brought with him
silks and stuffs at which all that was feminine in our nature swelled
with delight. Tempted by his odors, we have come to his garden. The room
is small and square, and rough-plastered. Upon the floor are strewn long
deep boxes, and the comely young Armenian, in a flowing dark dress,
reveals his treasures.
Scarfs, shawls, stuffs for dresses, morning gowns and vests,
handkerchiefs, sashes, purses, and tobacco-bags are heaped in rich
profusion. They are of the true Eastern richness, and in the true
Eastern manner they rely upon that richness for their effect, and not
upon their intrinsic tastefulness. The figures of the embroideries, for
instance, are not gracefully designed, but the superb material suffices.
They imply that there are none but beautiful women in the world, and
that all women are brunettes. As the quiet merchant unfolds them, they
have the mysterious charm of recalling all the beautiful brunettes who
have reigned Zenobias, and Queens of Sheba, and Cleopatras, in the
ruined realm of your past life.
But, Northerners and Westerners, we remember another beauty. We remember
Palma Vecchio's golden-haired daughter, and the Venetian pictures, and
the stories of angels with sunny locks, and the radiant Preziosa. The
astute Armenian knows our thoughts. From the beginning was not the
Oriental merchant a magician?
Public-domain text, read in full here on John Shaqi.
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